Category Archives: Humor

Bravely Boring

I thought I’d ring in the new year with a divergence from my usual talk about books.  I’m going to do a movie review, even though this movie has been out for forever and this review is way late.  But the Oscars are coming up, so maybe it’ll be pertinent in a couple months.  First…

[SPOILER ALERT]

We’re going to talk about Brave.  If for any reason you do not want any part of Brave spoiled for you, you’d best stop reading now.  It’s okay, I’ll forgive you.

So the reason I wanted to talk about Brave is that everybody went all crazy about this one issue: It was Pixar’s first female protagonist.  Pixar’s first female protagonist had the most cliche plot that can be given to a female protagonist – Action Princess No Want Marry.

Here’s the issue I took with it: It didn’t even do that.  Seriously.  I went into this movie going “It may be cliche but by the power of Grayskull I don’t care.  It’ll be pretty.  I mean, just look at the trailers!  So much pretty scenery!  And a horse!  I love horsies!”  That may not be a direct quote.  I don’t remember the exact words I thought as I seated myself in the theater, but that pretty much sums it up.

So here’s the problem: You know all of the pretty scenery and adventurey stuff they showed the little Scottish princess seeing and doing, respectively, in the trailer?  You know…The horseback riding along a seaside cliff and climbing to the top of a rock and dancing on it with a huge waterfall in the background?  Go watch the trailer on YouTube if you don’t know what I’m talking about.  I’ll wait.  Ok…seen it?  Right.  All that stuff?  First five minutes of the movie.

The rest of the movie?  Bears.  Not kidding.  See the whole big deal is that Merida, the princess, has a bad relationship with her mother.  So one day, while riding through one of the three or four sets that are recycled again and again all throughout the movie, she finds a witch’s cottage.  She asks the witch for a way to change her mother, and the witch gives her a spell that turns her mother into a bear.  A freaking bear, people.  The rest of the movie is bear shenanigans.  They sneak out of the castle because Merida’s father is all about killing bears, and Merida is afraid he will kill his wife in bear-form, and then they go to a cave and Merida’s mother tries to use sticks to properly cut up her food and eat like a lady and Merida teaches  her how to be a proper bear.  Not joking.  She teaches her how to go into a river and catch fish in her mouth.  Through this, her mother realizes that her daughter learned a great deal of useful things all those times she roughed it in the woods or whatever.  Then they have a big showdown with the villain – a different bear.  God I wish I were making this up.  He was a prince once, and he met the same witch Merida did, who apparently only knows how to make things that aren’t bears into bears.  The end battle?  A big bear showdown.   Wanna know how useful Merida’s archery skills were in this showdown?  I’ll give you a guess.  That’s right not at all useful.  Remember what I said about Chekhov’s gun?  Merida’s bow and arrows were the gun.  They were useless.  She shot some arrows sure, and they hit the bear bad guy, but they had less than any effect.  They might as well have been fighting a honey badger for all that the villain didn’t care about her puny arrows.

So everyone was all up in arms about an action princess being Pixar’s first female main character, and it wasn’t even that.  She didn’t have some great big adventure.  She barely strayed five miles (kilometers?) from her castle.  And there was a lot of making fun of Scottish people.  A lot.

Stereotypical Scot

The one thing I liked about that movie was their version of a Will-o’-the-Wisp.  The Wisps were these creepy little blue ghost things that Merida saw at plot-convenient times, and her mother encouraged her to follow them because they’d “lead her to her destiny.”  Only thing is they looked more like they were leading her to her death…wait…isn’t that actually what they do?  Yeah, turns out Will-o’-the-Wisps are little lights that lead travelers off the safe paths they’re on.  Nothing to do with destiny there.  Unless it’s your destiny to die after being stupid enough to follow some creepy little ghost lights off of the trail you’re on and into the great unknown.

So Brave was a disappointment.  It really was.  It was like Pixar couldn’t even be bothered to try coming up with a viable plot for a girl.  This is what I imagine the brainstorming meeting went like:

“She’s going to have an arranged marriage to some kilt-wearing imbecile, but she doesn’t want to get married.  So she beats all her imbecilic suitors in an archery contest and that’s the first fifteen minutes of the movie.  Then what?”

“Uhhhh….bears?”

“Great job, Frank.  We should smoke weed in our meetings more often.  Let’s go get some pizza.  We’ll leave the interns to write the rest of the script.”

TL;DR?

Brave = Tremendous Disappointment.  Full of Bears.

Have a comic (click to enlarge):

Writer's Block Strip 8

Word of the Day: Will-o’-the-Wisp (n) – anything that deludes or misleads by luring on.

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Filed under Comic, Humor

Catching Up

Haven’t written in a while.  I bet you’re all waiting on the edge of your seats to find out what’s new and different in my life.  Good news, everyone!  I won’t keep you waiting any longer.

First, as of December 24, 2012, I am 22 years old.  Wooooo….

Second, as of December 18, 2012, I am done with my internship.  However, I am not done with my boss, because also as of December 18, 2012, she has agreed to represent me.  So I have an agent who is going to help me sell Hellbound.  WOOOOO!

For the record, my book finally getting representation does have a lot to do with the fact that I worked for this woman.  BUT, my boss would not have represented me if she thought my book was sub par.  I would know – She has read and rejected her own interns’ work while I was working for her.  I don’t want to toot my own horn…

Blowing own Horn

…but Hellbound is written pretty well, so I’m glad that she recognized this.

So I have an agent who likes my work.  Does this mean that Hellbound is now officially going to get published absolutely yes no doubt about it?  Unfortunately, no.  Part of this blog is about you guys following me on my path to getting published, so I decided to share with you more about the process.  What I have just embarked on is an even longer journey than the actual “writing the book” part, and the road is still paved with rejection.

Let’s say you’re a writer.  For the purposes of this exercise, you are a clown.

Clown Again

Actually, let’s say you’re a clown who has written a book.

Clown with Book

Now, you want to get your book published.  There are a lot of people out there that your book has to impress before that can happen.  There’s your agent…

Clown with Agent

If the agent likes it, he or she will pitch your book to an editor…

Clown with Agent and editor

If the editor likes it, he or she will pitch your book to the editorial staff + whoever the editorial staff reports to.  They are represented here by an amorphous blob of rejection, sometimes known as the Rejection Amoeba.

Clown with Agent and editor and amoeba

If any of these people or Amoebas say no to your book, back to you it goes.  All the way down the line.  And you’re back to being a sad clown with a book, standing on square one and wondering if maybe you should have stuck to making balloon animals at birthday parties.

Depressing as that sounds, I am really happy to have an agent.  It means I am on my way.  I will give you the details of the process as it continues, because I know this is just as important to you as it is to me.  And who knows?  Maybe one day I’ll give away signed copies to all my blog followers.  And by “give away” I mean “Sell at maybe a discounted price.”  Hey, authors need to eat, too.

Comic!  I gave up on trying to write comprehensibly.  You’re welcome! (Click to enlarge)

Writer's Block Strip 7

Word of the Day: Sycophant (n) – a self-seeking, servile flatterer; fawning parasite.

P.S. I haven’t forgotten about the fact that I mentioned writing my own comprehensive list of advice for writers.  I’ll get around to it eventually.  It’s harder than it seems.

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Filed under books, Comic, Humor, writing

Random Advice and Stuff

As the title of this post suggests, I just have a few random things to throw at you today.

The first is the difference between the words “compliment” and “complement.”  This is important, I feel, because even I have trouble remembering the difference.  “Compliment” (with an I) refers to praise.  I complimented her on her taste in Jello.  She complimented her boss in the hopes that he would give her a raise.  You get it.  “Complement” (with an E) refers to things that go well together.  This wine complements this chicken dish.  Or the drapes complement the carpet.  That kind of thing.

Next is something my sister emailed me.  It’s pretty self-explanatory, so I’ll just paste it here for your amusement.  My comments are in red, and my cartoons are in…cartoon.

Kurt Vonnegut’s Eight Rules for Writing Fiction:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.  In other words, when someone picks up the book you’ve written, make sure they know fairly quickly that it was worth it.

2. Give the reader at least one character he or she can root for.  This does not have to be the main character, but it helps to achieve point #1 if you have point #2.

3. Every character should want something, even if it is only a glass of water.  Motivation.  Your characters should have motivation.  If they do not feel motivated to do anything, then your reader will pick up on that, and then they will cease to be motivated to read your book.  Again, see point #1.

4. Every sentence must do one of two things — reveal character or advance the action.  This you’re allowed to disagree with, though I feel these two definitions can be given a very broad spectrum.  For instance, describing your main character’s workplace may not be either of those two things, unless you consider that the way the character views their workplace provides insight into their…well, character.

5. Start as close to the end as possible.  I believe he’s referring to starting in Medias Res, or the middle of the action.  This is your choice, but do remember that if starting at the beginning is as close to the end as you feel you can start, then technically you are following the rule properly.  After all, he did say “as possible.”  It’s up to your judgment where and when to start your story.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.  Yes.  If you’re having trouble with this, it may be necessary to write “They aren’t real” on the back of your hand in Sharpie.  The fact of the matter is that your characters are at their best when all aspects of their strengths, weaknesses, and personalities (that is, each character’s personality, not each character’s multiple personalities) show through.  And this can only happen if you put them in situations that are all over the spectrum of “Good” and “Bad.”

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.  You can’t please everyone.  But if you can make just one person read your story and say that it made them think, or changed their life forever, then you’ve accomplished something big.  Never forget that.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.  This is hilarious, but not entirely true, depending on who you talk to.  I do agree that you can’t leave your readers totally lost.  Readers, for the most part, don’t want to have to fight to keep up with your story.  They should be safely strapped into the rollercoaster, not running on the track behind it hoping to keep up.  However, some suspense and mystery is good, if that’s the type of book you’re writing.  It is okay to keep some things secret, but it is not necessary.  If your readers know something that your characters don’t, that’s called Dramatic Irony.  It’s a thing.  Work with it.  Or don’t.

— Vonnegut, Kurt Vonnegut, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam’s Sons 1999), 9-10.
Kurt Vonnegut: How to Write with Style

Vonnegut was a fantastic writer, may he rest in peace, and I think his advice is great.  But, as this is my blog, I do believe I should start working on my own comprehensive list of this sort.  So maybe I’ll whip one up and make that my next post.

Lastly, I think, was just a new comic.  So here you go.  Click to enlarge.

[Edit: I remembered what the last thing actually was!  I made a meme.  Ever heard of First World Problems?  Check it out.  I knew there was something I was forgetting.]

Word of the Day: Complement (v) – something that completes or makes perfect.

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Filed under books, Comic, Grammar, Humor, writing