The Unused Epigraphs (Part 1)

One of the things I was just asked for (at time of writing) was an epigraph for my novel, Falling for the Protagonist. I was also asked for my dedication and acknowledgments. Writing and submitting the acknowledgments was probably the closest I’ve come to being able to internalize the truth of being published. For a very long time, I held up “writing an Acknowledgments page” as some beacon of publishing, the thing that—above all else—would say to me, “Hey, Bex. You did it. You’ve made it.”

Needless to say, that was a big moment for me.

But I didn’t ever plan on putting an epigraph into my book. For those who don’t know:

Epigraph (N) – [in the context of books/literature specifically] A motto or quotation, as at the beginning of a literary composition, setting forth a theme

Still, the very mention of one sent my brain down the path of What If. As I found it fun to think about, I decided to come up with some quotes (and ask my friends as well). Since I never plan to “publish” the quotes we came up with, I decided to post them here for anyone who is interested. First, just the quotes. If you want to stop there, read the book, and decide for yourself what relevance these quotes have—cool. In fact, I’m supposed to encourage you to do that, I guess. I mean… other people buying and/or reading the book is important to me.

In fact, I think I’m going to make this a preorder hype post. Yeah, that’s what I’ve decided. So… go to my Linktree to find links to places to preorder Falling for the Protagonist or feel free to search for the book title (or Bex Goos) on your preferred bookseller’s website. Then preorder it! Support my dream!

But if you don’t care to do that, also cool. Or if you want to read the whole post, including my explanation, before reading the book, also totally cool. In short: Everything is cool. I don’t control you. I don’t even know you. Your autonomy is safe, and I shall never attempt to trample over your right to make choices for yourself!

Here are the quotes I came up with:

“Fiction is the lie that helps us understand the truth.” – Tim O’Brien, author of The Things They Carried

“We are never more creative than when we are at odds with the world and there is nothing so artistically destructive as comfort.” – Excerpt from Nerd Do Well, Simon Pegg’s autobiography

Here are the quotes my friends came up with:

“Truth is a matter of the imagination.” – Ursula K Le Guin, author of The Left Hand of Darkness

“Men are more interesting in books than they are in real life.” – Mary Ann Shaffer, author of The Guernsey Literary and Potato Peel Pie Society

The rest of this post will be about Quote 1 because this post is so long that I already had to scroll up and add “Part 1” to the title. Part 2 will be about the rest of the quotes. Hopefully. May have to add a Part 3.

Tim O’Brien wrote fiction about the horrors of the Vietnam War. I wrote a satirical romance novel about a woman who falls into a book and sends the main character into an existential crisis. These two things are not the same. But I will always remember my students’ shock, back when I was an (inept) English teacher, and I told them that The Things They Carried was fiction. I believe I told them before we started reading the book, but I felt a reminder was in order after they’d gotten through a chunk of it. They simply could not believe that what they had read was made up. It was so real! It felt like nonfiction! It led to some great discussions about the power that fiction has to help us hold up a mirror to real life. Fiction helps us confront and interact with truth. It’s sort of like how standup comics help people face reality by getting them to laugh at themselves. There are lenses through which we can observe ourselves and others. I wanted to use my work of fiction to do just that.

Just look at the (simplified) definition of satire I used to help my students understand it: Satire is used to highlight a flaw in order to raise awareness and/or incite change.

One of my main goals in writing FFtP was to draw attention to a glaring issue with real life: We are not treated to other people’s internal monologues, but some people still act like their motivations should be crystal clear. Some of the things that men pull off in romance novels would get men a face full of pepper spray in real life. Why? Because, in a book, the narrator is constantly letting us know, “Hey. Don’t worry. Both parties are totally on board with this.”

I am going to write out a summary of a very real novel in my own words. TRIGGER WARNING: Kidnapping, forced imprisonment, threats of sexual violence

After discovering the man she just married is a murderer with a history of criminal dealings, Holly Bardwell flees the marriage and the man in the dead of night. Her car breaks down somewhere in the Colorado Rockies, so she finds herself wandering through the mountains on foot, only to pass out in the snow outside a hunting lodge. One of the owners of the lodge, Adam Colter, discovers Holly and brings her inside. He nurses her back to health and introduces her to the co-owners of the lodge, his younger brothers, Ethan and Ryan. While Holly was unconscious, the three brothers decided that Holly was the one for them. For all of them. When Holly attempts to leave their (otherwise unoccupied) remote mountain lodge, they stop her and carry her back inside while she begs to be let go. Then they tell her the truth—that they all intend to marry the same woman, and they have agreed that she is to be that woman. She will pleasure all of them. Carry their children. Be wife to all of them. It’s okay that they just met her twelve hours ago, because they know in their guts that she is meant to belong to them. She won’t ever have to worry about a thing because they’re gonna take real good care of her. She doesn’t have to leave. They don’t want her to leave. She’s going to belong to them forever.

How’s that going for you? I want you to know that you saw a Trigger Warning at the top of the paragraph that wasn’t there before I wrote the summary. I realized on rereading it that I should go back and add the TW. Because that summary was missing one very important line at the end:

Holly listens to the brothers explain how they want her to be their wife and live with them forever, and she is totally into it.

Yeah, this is the plot of Colters’ Woman by Maya Banks. It’s an erotic romance, not a thriller. Note the apostrophe placement in the title. Their last name is Colter, not Colters. She is all of their woman. And she loves it. She can’t wait to marry these three dudes and bang it out for the rest of their lives.

Changes the cadence a bit, doesn’t it?

Romance gives readers a chance to explore scenarios that would feel unsafe in real life because the narrator is there to say, “Yep. Totally into it.”

But what happens in real life when Person A thinks they’re in a romance and Person B doesn’t? Suddenly, the story is different. Now you’re looking at a person who feels entitled to another person’s attention, maybe even their affection. How the story progresses depends entirely on how Person A takes rejection, if they take it at all. Maybe Person A refuses to believe the rejection. Maybe they believe the rejection, but respond with anger or violence.

When only one person approaches an interaction as romantic, the entire interaction is anything but.

In my book, I wanted to highlight this entitlement, the way that an interaction can take on whole new layers of meaning when there is a disparity in the way the participants are experiencing it.

Yes, I wrote a fictional novel. But I wanted to use that fiction to showcase a piece of reality, namely that women (or anybody, really) can feel unsafe in a situation without ever being overtly threatened. They can feel unsafe even if the other person has absolutely no unsavory intentions at all. Because they are not privy to the inner monologue of this other person.

There are no narrators in real life.

By the way, I’m not the only one who noticed this strangely thin line between romance and horror! Check out this ingenious trailer for Red Eye (2005). Link included because the embedded video might not work.

I never saw the movie, because I’m not into the thriller/slasher/horror genre, but the trailer stuck with me, clearly. It perfectly encapsulates the disparity delineated above.

Nick DiRamio also showcased how easily an interaction in a romantic movie could be changed from romantic to creepy/horrific. All they did was change the background music. That’s all it took. I’m going to link to the video at the timestamp where this happens, but I do highly recommend watching the whole thing. Nick is hilarious.

This all led me to Tim O’Brien. He was my first thought when the idea of epigraphs entered my mind. His quotes about fiction are all top-notch. Yes, the book is made up. But there is reality reflected in the fiction.

I’ll post about the other quotes soon!

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Script Doctoring KPop Demon Hunters

As always, Bex is late to the party. (Actually, in real life, I’m never late to parties because I’m not invited to them.) I finally watched KPop Demon Hunters and I have some thoughts about the central message of the film. Which is… it was generic and (seemingly deliberately) obtuse when it came to acknowledging very real issues that surround pop stardom.

They ALMOST made a movie about the dark underbelly of, not just KPop, but being a star or idol in general. As someone who is not particularly aware of the KPop scene, I can’t speak to it specifically, but there are articles if you want to read up on it. I do know that we have had plenty of exposés about the darkness lurking beneath the sappy sweet peppy exterior of popular entertainment in America. Just read Jennette McCurdy’s book! Or watch, if you can stomach it, Quiet on Set, the docuseries about Nickelodeon. Listen to former child stars discussing their lives. Read books and AMAs from people who were on certain reality shows like America’s Next Top Model.

If you have not seen KPop Demon Hunters… oh yeah…

SPOILER ALERT FOR KPOP DEMON HUNTERS

Okay, if you have not seen the movie, it follows a pop trio in Korea called HUNTR/X (Huntrix). The three women in the trio—Rumi, Mira, and Zoey—are charged with entertaining the masses and protecting the masses from the demons who push their way out of the underworld to eat human souls. The songs are pretty great if you like pop music (which I unabashedly do), the art style is… unique. Often pretty. With one exception.

It’s this. This is the exception. Good LORD this was a step too far for me.

It has decent characters, great acting, and is overall an enjoyable story. That being said… I take issue with the message of the film, otherwise knows as the theme.

I honestly thought for a good chunk of the movie that they were going to go for an incisive and poignant message about the hidden horrors of being a celebrity or idol. The clues were all there!

The constant repetition of “For the fans” and “We need the fans.”

The fact that their mentor lady told them, “Your faults and fears must never be seen” (which I’m trying to generously read as NOT a straight ripoff of Elsa’s emotionally abusive father in Frozen. Conceal it don’t feel it, am I right).

The constant pressure to perform, to the point where Rumi—without her partners’ permission—interrupts the week of vacation they’ve been anticipating in order to put them right back in the spotlight. It particularly bothered me that the other two responded with a bit of upset… for a minute.

Then their manager, Bobby, busts in to inform them that “Golden,” the single that Rumi dropped WITHOUT THEIR PERMISSION OR KNOWLEDGE, is going viral, and just like that, Mira and Zoey are happy happy happy!

There was an in-film reason for Rumi’s betrayal of her costars, namely that she believes her own demonic traits will be erased once they sing “Golden,” but Zoey and Mira don’t know that! They have every reason to be angry at her. While they do try to confront her later, that arises from other behaviors and warning signs, not from this clear and remorseless betrayal. In this moment, when they discover their vacation has been cut short, all is forgiven and forgotten almost immediately.

Like I said, I feel like they were getting there, except they waaaay boffed it at the end with this generic message of “Oh EVERYONE has their hidden demons and you just need to BE YOURSELF,” and not “These PERFORMERS have their demons and are afraid to be anything other than perfect because of the backlash they’ll face.” Again, this is highlighted by the fact that they’re angry to see a rival band. Why would this make them angry? Because they need the fans! They need to be IT and PERFECT! But again… that didn’t go anywhere. They still just LOVE being pop stars, and the message of the movie ends up being generic: DON’T BE AFRAID TO BE YOURSELF.

Again, to give it a generous reading, “coming after the fans” could mean she fears the demon band is a danger to the fans, except… they establish in an earlier scene that the Saja Boys are not “coming after the fans” in a dangerous way. It really just reads to me here like she’s afraid to lose fans because of her music career, not because the rival band is made up of demons.

I don’t have anywhere else to put this, so I’ll just say I looked it up and “Saja” 사자 means “Lion.” Hence the band’s logo being a lion and their call to action being, “Join the pride.”

Credit where credit is due, I like the lyrics in “What It Sounds Like,” the final number the trio sings as they defeat the demon lord. Specifically, when they sing “[N]ow we’re seeing all the beauty in the broken glass.” That’s a good line! I like that one. Oh, but speaking of that song, there are other lyrics I want to focus on…

My voice without the lies

Why did I cover up the colors stuck inside my head?

We’re shattering the silence.

It’s all about a “song [they] couldn’t write.” The lyrics are all about uncovering the truth, finally being honest, not being scared to be their real selves, to show that they have flaws. I’m willing to bet there’s another layer of meaning to it, too, considering it’s likely that pop stars aren’t always allowed to perform the songs they want to sing. I’m sure there are some out there who would prefer to go against their established “image,” and either feel they can’t or are explicitly told they can’t. Jesus… I think I just described the plot to Stuck in the Suburbs. Am I really sitting here thinking the Disney Channel Original Movie Stuck in the Suburbs achieved the message I’m looking for where KPop Demon Hunters didn’t??

“What It Sounds Like” could have been the perfect anthem for tired, burnt-out celebrities and pop stars everywhere. “We’re shattering the silence”? Come on! When I think of entertainers shattering the silence, I think of the abuse they endure behind closed doors. The pressure. The paparazzi and fans hounding them. Photoshopped pictures in magazines. Speculation in headlines. Their lives under fucking microscopes. They never have peace! This song could have been about them coming to the realization that it’s better to let the world see them as imperfect than to keep living up to impossible standards at the expense of their own mental health. But, no, in the context of the movie, it’s all rolled into the “Don’t be afraid to be yourself” narrative.

I swear, the bones of this theme are in there. Look at Saja Boys’ final song. The religious imagery in their lyrics, the fact that they are dressed like the Korean version of the Grim Reaper. Describing fans as “down on [their] knees” to worship the band. The sinister nature of the song is ostensibly about how the band of demons is planning to take people’s souls (“You gave me your heart, now I’m here for your soul”), but I see it as yet another cry for help. The obsession of the fans exposed as something dark and unbearably heavy, not a connection, not a tie that binds, but a rope that constrains and imprisons:

I can be the star you rely on

I’m all you need

Your obsession feeds our connection

They’re there for the fans. The fans “rely on” them. But who can these pop stars rely on?

Why wasn’t this theme explored more fully? The concept of idols and stars being beholden to their fans, even if it’s to the celebrities’ own detriment. Is it because it’s a kids’ movie? (I think it is? I’ve heard people talking about their kids loving it, at any rate.) Maybe it wouldn’t be so bad for kids to learn that the celebrities they idolize are human, too. And it wouldn’t have prevented kids from picking up on the more general message of “It’s okay to be yourself”! That message could have still been there! We need to give kids more credit, man.

Or was it because the filmmakers didn’t want to piss off the Powers That Be in the entertainment world? In the KPop world? Maybe. I’m not sure I can blame them for that. It is quite possible that the oppressive nature of the entertainment industry is exactly what… prevented this movie from pointing out the oppressive nature of the entertainment industry. Gotta appease the masses. Gotta appease the bosses. The people who write the checks don’t want to look bad. No no. Stay in line. Funnily enough, in a meta sort of way, this movie does kind of send the message I wanted it to. My awareness that the moviemakers would have had to pull their punches to appease the higher-ups is the message, but only if they had punches to throw and chose to pull them. I can’t speak to the motivations of the people who wrote and produced this movie. Maybe it never occurred to them to send a more poignant message. I’m operating under the assumption that they would have wanted to, but felt they couldn’t. Maybe they didn’t want to at all, which is a problem in and of itself.

Anyway, what I would have done would be to make it so the general public DOES know about the demons and THEY are the ones who turn on Rumi when they discover she is part demon.

(BTW THEY NEVER EXPLAINED THAT. Did her mom have sex with a demon?? What are demons anyway? I love their design, but they appear to be a bunch of otherworldly monsters and then… there is this one dude who was human and sold his soul. So were all demons human once? Some of them? I know Rumi tried to figure that out herself in one scene, but was unable to draw a conclusion, as I am unable to do. Was Jinu a demon at all? Why does he get a pet bird and tiger? Where did they come from? Are they demons? Demon animals?? Maybe I missed something…)

Ahem, so basically it could have been a message about how nice it is to sing and how Rumi can’t get enjoyment out of it when there’s pressure to be an IDOL, and the end of the movie is her realizing she doesn’t need to be this perfect object for her FANS, but rather can sing on her own terms for herself. The woman who does Rumi’s singing voice, EJAE, apparently had her own negative experience with this industry as she was told she was too old and would “never make it,” so I’m simultaneously very happy for her and also upset that they didn’t go more into the “Pop stars don’t shouldn’t exist to be consumed by the masses” message.

I really thought for a small portion of the movie that they were going to go for it, they were going to make a point about what celebrity does to people (both the person who is a celebrity and the people who worship them). The trio really could NOT stop repeating the fans thing. The fans! For the fans! We need the fans! AHHH THE FANS. It’s like… are we supposed to believe this is a healthy mentality?? Because it’s not. Yet, that was never addressed. A charitable reading of this is that they like pleasing the fans and interacting with them, and that is why they are so desperate not to disappoint. But… it still leaves us with these three women making all their decisions for groups of strangers rather than for themselves.

Imagine if a group of the obsessed, screaming fans featured at the beginning of the movie went up to Huntrix at the end of the movie and calmly, politely asked if it was okay to chat, rather than screaming manically and assuming it was okay to mob their idols? What if the fans thanked them for their hard work? This would contrast nicely with the fan behavior throughout the film and show there was a lesson for everyone to learn.

In conclusion, it was a pretty movie and I liked it (though I am concerned all the bright colors and jerky animations were there to continuously grab and regrab viewers’ attention, not unlike someone constantly snapping their fingers in front of your face), but the ending had it falling flat for me. Rumi, Zoey, and Mira want to be golden, but—to paraphrase a famous poem—“Nothing gold[en] can stay.” They strive for perfection that cannot and should not exist.

So yeah, the film was good, but it had no teeth. I like my movies and books to have some teeth. Like Sinners. That was a good movie. It had teeth.

Also I YouTubed again. Check it out below (if I embed it correctly) or follow this link.

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Filed under Movies

Good Fences

The following short story is a work of SATIRICAL FICTION. It is borne of the disgust, anger, helplessness, and hopelessness I have felt on an ongoing basis for over a year. Please note the following TRIGGER WARNINGS: Child molestation, false imprisonment, jail/prison, child endangerment, transphobia, xenophobia, blasphemy (specific to Christianity)

When Terrence stepped out of the jail, the guard banged the gate shut behind him and locked it. He was back in his clothes, the ones they’d taken off of him when he’d gone into the jail because they said he had to wear jail clothes while he was there. But he didn’t have any other “belongings” as the guards called them. Right before they’d taken him outside, one of the guards had told him that his parents would be there to pick him up, but he didn’t see either of their cars. He glanced uncertainly over his shoulder, wondering if he should ask for help, but the gate guard was back in his little house, watching his little screens. 

With no other choice, Terrence sat down on the curb and waited. 

Maybe his parents had forgotten about him. He’d been gone forever, so maybe they forgot. 

Maybe they didn’t want him anymore now that he’d gone to jail. 

He wished he had Sergeant Teddy with him, but the guards had laughed when he’d asked them if Sergeant Teddy could come to the jail, too. They made fun of him for wanting his dolly even though he explained Sergeant Teddy was a bear in an army uniform, not a doll. 

Terrence hoped his parents still wanted him. 

What if he had to go potty? He knew how to pee in the bushes like when Daddy took him camping, but maybe the guard would see and get angry and put him back in jail. 

He continued to sit on the curb and worry as the time went on and the sun burned his scalp and nose. He wasn’t so good at telling time, but it felt like a million hours had passed since the gate had banged shut behind him.  

Then he heard the car coming and he looked up with new hope. His mom’s sunny smile shined out at him from the driver’s seat as she parked in front of him. She didn’t bother to turn off the engine before rushing out of the car, dropping to her knees, and pulling him into a tight hug. Terrence closed his eyes and smelled her familiar scent and felt good because she still wanted him. 

“I’m so sorry, champ! Our lawyer had the darndest time figuring out which jail you were in. No one seemed to know.” She pulled back, held his shoulders. “Are you okay? Did they treat you alright?” 

Terrence shrugged. “I drew pictures.” 

“You did? That’s lovely. Where are they?” 

“They said I couldn’t keep them.” 

“Oh, well… never mind. You can draw new pictures at home.” 

She stood and pulled him to his feet with her. Holding his hand, she walked him around to the back seat of the car, helped him into the car seat, buckled him in. Then she got in, put the car in reverse, and swiveled around to begin backing out of the parking space. 

“Where’s Daddy?” 

She glanced at him briefly, her expression sorrowful. “His time off request didn’t get approved. But he knows today is the big day, and he’s excited to see you after he gets home from work, okay?” 

“Okay.” 

“I have a surprise for you, too. A present. It just arrived in the mail today. Isn’t that neat?” 

“Neat,” Terrence repeated. 

Terrence’s eyes followed the broken white lines on the street while his mom drove. They were pretty much the same as the lines around all the houses, but the ones around the houses were yellow and didn’t have spaces in between like a tracing picture. A lot of people had fences behind their yellow lines, but his house didn’t have a fence in the front, only in the back. His next-door neighbors on one side had fences all around their house, and the ones on the other side where Julia lived didn’t have any fences at all. 

Julia went to the same school as him. They were in the same grade, except she was in one of the girl classrooms. But they saw each other at recess and lunch. Sometimes they talked, but they couldn’t stand too close to each other or the teachers got mad. He wondered if she’d gone to jail, too. She was always nice to him. He was pretty sure she didn’t mean to get him in trouble. 

“Home at last!” his mom sang out. “Come inside. Are you hungry? Do you want a snack?” 

“Graham crackers? Is that okay?”  

The guards had laughed at him the first morning, during breakfast, when he was scared and confused, and he had asked for graham crackers. These weren’t the guards who had laughed at him for asking for Sergeant Teddy. These were different guards. Terrence thought the guards must like to laugh because they did it so much. He’d quickly learned that the jail only had corn flakes for breakfast (with skim milk), and mashed potatoes, green peas, and dino-nuggets for lunch and dinner. 

“Yes, of course it’s okay!”

All cheer and smiles, his mom pulled the box out of the pantry. Soon, Terrence was sitting at his kitchen table eating graham crackers and drinking chocolate milk (2%). They tasted like the best thing ever to him. He didn’t know what gold tasted like, but he knew it was shiny and cost a lot of money, so he thought the graham crackers must taste like gold. Or gold tasted like graham crackers. 

“Ready for your present?” With a flourish, his mom pulled something from behind her back and held it up for him to see.  

Terrence studied the shorts with confusion. They looked just like the ones he already had in his dresser. They were soft and dark green, and they had the word PENIS on the front, with a down arrow below that. Except… this pair of shorts had a white checkmark in a blue circle next to the word PENIS. All his dad’s work pants had the same checkmark next to PENIS. And his mom had a checkmark on all her pants and skirts and stuff, next to the longer word that he couldn’t pronounce very well. He knew it started with V. One time, in school, he had asked Mr. Fletcher how to say it, and he’d gotten a demerit for asking an inappropriate question. So he’d asked his daddy later at home, and his daddy said it was the word for girl parts just like PENIS was the word for boy parts. 

“You’re verified!” his mom told him when the silence had gone on too long. “Isn’t that great?” 

“What’s verified?” 

“It means the government knows you really are a boy, so you don’t have to do any more check-ins at school or church.” 

“Oh.” Terrence felt something unclench within him. “No more ever?” 

“Nope. No more ever.” 

He felt happier than he’d felt when they told him he got to go home from jail. He hated the part of school where Mr. Fletcher pulled him behind the check-in curtain and took his pants down. It made him feel yucky in his tummy. One time, when Mr. Fletcher was touching his PENIS, Terrence said he didn’t like it, and Mr. Fletcher got angry. 

“Don’t be ungrateful. This is for your protection. You wouldn’t want one of those Jesusforsaken transgenders in your classroom, would you?” 

Terrence didn’t know what a transgender was, but he agreed that having them in the classroom would be bad because he knew that agreeing with Mr. Fletcher always made him less angry. He finished checking Terrence’s PENIS, and Terrence learned to go somewhere else in his head during the checks. 

Now he didn’t have to go anywhere else in his head. 

No more checks. 

He finished his chocolate milk. 

Terrence’s daddy got home in time for dinner. He smiled when he saw Terrence and came over to give him a big ol’ handshake. That’s what Daddy called them. Big ol’ handshakes between men. 

“There he is! Put ‘er there, pal! Two months flew by, huh?” 

Two months was a long time, but Terrence didn’t say so. He went with his dad to the dinner table where his mom was serving up steaming helpings of macaroni and cheese. 

“I hear the 4-to-6 jails aren’t so bad,” his dad said. “I went to a 10-and-up for six months when I was nine. Do you know that nine is smaller than ten? Have you learned that in school? Big numbers and little numbers?” 

Terrence nodded. He knew when he counted to ten that nine came first, and that was probably what his dad meant. 

“My tenth birthday was two days before my release date, so they put me in the 10-and-up jail. Can you believe it?” Daddy shook his head, shoved a bite of cheesy pasta into his mouth. “Well, anyway, that was a long time ago.” 

Terrence stopped listening after that because his mom asked his dad how was work, and he never understood how work was. He let them talk. He liked their voices. He had missed their voices when he was in jail. 

“Did Julia go to jail?” Terrence asked suddenly. 

“Yes, she went to the girls’ jail,” his mom told him. “But only for two weeks. Mrs. Witt fought really hard not to have her go at all, but the recording from the doorbell camera showed how Julia was at fault, too. So Mrs. Witt didn’t get her way that time.” 

Terrence glanced at his mother. Her voice had gotten tight and low, the way it did when she was angry but didn’t want to yell. She was probably angry at him. Hadn’t she and Daddy told him over and over, “If the nice men ever want to talk to you, be polite, don’t talk back, and everything will be alright”? 

The problem was, Terrence didn’t know who the nice men were. He hadn’t understood what his parents had meant until the men had come to the house to arrest him. Then he’d seen the big white letters on the front of their black vests. He couldn’t read all the big words yet, but he knew how to read “nice.” That was a little word. Only the letters all had periods after them, so they said N.I.C.E. 

But they hadn’t been nice men. He’d tried really hard not to talk back and to be polite, but he must not have done it right. That was probably why his mom was angry at him. 

He was sorry Julia had to go to jail, too. She hadn’t meant to get him in trouble. She shouldn’t have gotten in trouble either. All she’d done was call out to him when she saw him playing in his front yard. 

“Terry! Terry, come look!” 

Terrence liked that Julia called him Terry. No one else did. His parents had called him that for a little while, but then they stopped all of a sudden. When he asked why, his mom’s voice had gone tight and low. She told him the government had sent them a letter asking them to stop calling him Terry because Terry was a nickname that could be for a boy or a girl, and they wanted people to call him a name that could only be for a boy. 

That night, Terrence had sat in his bed holding Sergeant Teddy and listening to his parents’ angry voices coming through the wall. He didn’t understand most of what they were saying, but he heard his mom call Mrs. Witt a bad word. 

“Who do you think reported us, Jeff? Her own daughter calls him Terry, and that’s fine. But she hears us do it, and suddenly we’re getting a cease-and-desist order.” 

“What do you want me to do about it?” Daddy asked. He sounded tired. 

“I don’t know. I swear to Lord Jesus, we should apply for a permit to move. We can pretend you want to be closer to work. Or your parents. That woman isn’t happy unless she’s reporting someone for something. I bet she’d report her own mother to N.I.C.E given half a chance, Jesus take her.” 

But Julia must not have gotten a letter from the government because she still called him Terry. 

Terrence knew he shouldn’t have gotten so close to Julia’s yard. His parents had warned him never to cross the yellow line between his house and his neighbor’s house. He knew they could only visit other houses, like when they went to see Nana and Pop, if they had the special visitor cards hanging around their necks. And when they got packages, the delivery driver always had a card on a string, too. It was very important to have that card, and to show it to any police officer who asked to see it. He knew that for absolutely sure because his parents always reminded him. So he’d tried to stay on his side of the line. Julia had come close enough to show him the four-leaf clover in her hand, but she made sure to stay on her side of the line, too. 

“It means good luck!” Julia announced proudly. 

“Cool! Where’d you find it?” 

“Right over there.” Julia pointed. 

Terrence shifted a little so he could see the clover patch in the opposite corner of her yard. 

The scream nearly made him pee his pants. He heard the front door to Julia’s house bang against the wall when it swung open. 

“Get the Hell away from my daughter!” Mrs. Witt had stormed over and grabbed Julia, pulling her away from the yellow line and Terrence so fast and hard that Julia dropped the clover.  

When Terrence looked down at the grass to see if he could find where it went, he noticed he was standing on the wrong side of the yellow line.  

“Border crossing scum!” Mrs. Witt shrieked. Her face was super red. “Did you touch her? Did you assault my daughter? You’re lucky I don’t shoot you where you stand.” 

Terrence jumped back onto his side of the line, shaking his head frantically back and forth. He wanted to tell her he didn’t do anything, that he’d crossed the border on accident, that he didn’t salt anyone, but he was too scared to talk. Then his mom came out of their house and ran up to them and asked if Terrence was alright. 

“You raised a filthy little criminal!” Mrs. Witt screamed. “He violated our border! I’m calling the police! I will have justice for my little girl!” 

“Cheryl, I’m sure it was an accident,” Terrence’s mom said. Her voice was calmer than Mrs. Witt’s. “He’s only six.” 

“Age isn’t an excuse. Six is old enough to know better. That’s probably why the boy doesn’t have a solid moral code in the first place.” Mrs. Witt stopped screaming long enough to curl her lip. “You and your excuses, Jesus take them. What is this world coming to when my daughter isn’t safe in her own front yard?” 

“She’s perfectly safe,” Terrence’s mom said. “My son didn’t hurt her. He wouldn’t hurt a fly.” 

“Tell your excuses to the police if you want. I got the whole incident recorded on my Ring camera.” 

Terrence’s mom had tried to talk to Mrs. Witt more, tried to make her let Terrence off with a warning. Julia even tried to say, “Mama, he didn’t do anything. It was an accident. I told him to come look at my clover. I got a four-leaf clover. I found it. It’s right there in the grass, see? It means good luck, Mama.” 

But she just dragged Julia back into their house and slammed the door. 

That night, the men in black uniforms that said N.I.C.E. on them had come. They said his parents could get a lawyer if they really wanted to, but his guilt was clear from the Ring camera video, so they were waiving the trial. Terrence did everything they said and didn’t talk back to them, but they still put handcuffs on him and drove him in the dark black car to the jail where a guard did a check-in. He made Terrence take off all his clothes and rubbed his hands everywhere, even over Terrence’s chest, which was something not even Mr. Fletcher did. 

Then they made him put on the orange jail clothes that said PENIS on the pants without a checkmark, and then the two guards who had laughed when he asked for Sergeant Teddy took him to his cell. It smelled like pee and throw-up, and Terrence was scared to touch anything. After a really long time, a man who wasn’t a guard came to his cell. The guards unlocked the door for him to let him in, and then locked it again behind him. The man was wearing a black robe, so the writing that said PENIS and the arrow pointing down were in white. There was also a cross for Lord Jesus next to PENIS. He said hello and that he was a priest. He made Terrence sit on the creaky bed that smelled the worst like pee, and the priest sat next to him and told him in a gentle voice that Lord Jesus loved little boys who respected borders. The borders around his house were there to keep him safe, and he was in jail because he’d made his neighbors feel unsafe. 

Terrence had nodded and nodded until the priest left. That was what he did every time the priest came because the priest came almost every day and he talked a lot. Terrence just nodded and nodded. He didn’t understand half the words he heard, but the priest smiled when Terrence nodded, so he knew he was doing the right thing. 

“Robert Frost wrote a poem once about the best kinds of neighbors. Do you know who Robert Frost is?” 

No. 

Nod. 

“Do you like poetry, Terrence?” 

No. 

Nod. 

“Robert Frost said in his poem that good fences make good neighbors. Do you understand, Terrence?” 

Julia and Mrs. Witt are my neighbors, but they don’t have fences. Maybe that’s why Mrs. Witt is a bad neighbor. Maybe she needs fences.

Nod. 

“That’s good. That’s very good. Remember to respect the fences, respect the borders, and you’ll be the best possible neighbor, just like in Robert Frost’s poem. Robert Frost was American, you know. Just like you and me. Just like Lord Jesus. Isn’t that wonderful?” 

Idunno. 

Nod. 

“Jesus loves you, Terrence. He protects you with His will and his might. He has the power to smite His enemies, so you must not become an enemy of Lord Jesus. Okay?” 

“Okay.” Nod. Nod. Nod. 

“Good boy. That’s very good.” 

That night, his first night back in his own bed that didn’t smell like pee hardly ever, Terrence had nightmares about jail. He woke up and hugged Sergeant Teddy to him until the terror faded. He was home now, he told himself, and his PENIS was verified. And Julia was home from jail, too, his mom had said, so everything would be okay. It was quiet in the house. There had been a lot of crying in the jail. He heard it all the time, but more than ever when it was night and he was trying to sleep. Some of the boys cried until the guards yelled at them, and even then they cried. Even when the guard called them pussies, they cried. Terrence hadn’t cried because he hadn’t wanted to get yelled at, and he hadn’t wanted the guards to call him pussy. He didn’t know what that word meant (Something about a cat?), but he knew it was bad to be a pussy because of the way the guards yelled it. 

He let himself cry a little now because he knew Sergeant Teddy wouldn’t call him a pussy. “Everything’s going to be okay,” Terrence whispered to Sergeant Teddy. 

“That’s right, Terry,” Sergeant Teddy responded in Terrence’s imagination. Sergeant Teddy could also call Terrence “Terry” because the government didn’t send him letters either. “Everything’s going to be okay now.” 

“I can still be president one day,” Terrence told Sergeant Teddy. “Daddy says you can still be president even if you go to jail sometimes, but you can’t go to jail too much or they don’t let you be president. So I’m going to try real hard not to go to jail again.”

“Sounds like a plan, champ. Mind the borders, and you’ll be just fine,” Sergeant Teddy advised in the wise, grown-up voice Terrence imagined for him.

“Mind the borders,” Terrence repeated reverently, and fell asleep once more.

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