Tag Archives: critique

Script Doctoring KPop Demon Hunters

As always, Bex is late to the party. (Actually, in real life, I’m never late to parties because I’m not invited to them.) I finally watched KPop Demon Hunters and I have some thoughts about the central message of the film. Which is… it was generic and (seemingly deliberately) obtuse when it came to acknowledging very real issues that surround pop stardom.

They ALMOST made a movie about the dark underbelly of, not just KPop, but being a star or idol in general. As someone who is not particularly aware of the KPop scene, I can’t speak to it specifically, but there are articles if you want to read up on it. I do know that we have had plenty of exposés about the darkness lurking beneath the sappy sweet peppy exterior of popular entertainment in America. Just read Jennette McCurdy’s book! Or watch, if you can stomach it, Quiet on Set, the docuseries about Nickelodeon. Listen to former child stars discussing their lives. Read books and AMAs from people who were on certain reality shows like America’s Next Top Model.

If you have not seen KPop Demon Hunters… oh yeah…

SPOILER ALERT FOR KPOP DEMON HUNTERS

Okay, if you have not seen the movie, it follows a pop trio in Korea called HUNTR/X (Huntrix). The three women in the trio—Rumi, Mira, and Zoey—are charged with entertaining the masses and protecting the masses from the demons who push their way out of the underworld to eat human souls. The songs are pretty great if you like pop music (which I unabashedly do), the art style is… unique. Often pretty. With one exception.

It’s this. This is the exception. Good LORD this was a step too far for me.

It has decent characters, great acting, and is overall an enjoyable story. That being said… I take issue with the message of the film, otherwise knows as the theme.

I honestly thought for a good chunk of the movie that they were going to go for an incisive and poignant message about the hidden horrors of being a celebrity or idol. The clues were all there!

The constant repetition of “For the fans” and “We need the fans.”

The fact that their mentor lady told them, “Your faults and fears must never be seen” (which I’m trying to generously read as NOT a straight ripoff of Elsa’s emotionally abusive father in Frozen. Conceal it don’t feel it, am I right).

The constant pressure to perform, to the point where Rumi—without her partners’ permission—interrupts the week of vacation they’ve been anticipating in order to put them right back in the spotlight. It particularly bothered me that the other two responded with a bit of upset… for a minute.

Then their manager, Bobby, busts in to inform them that “Golden,” the single that Rumi dropped WITHOUT THEIR PERMISSION OR KNOWLEDGE, is going viral, and just like that, Mira and Zoey are happy happy happy!

There was an in-film reason for Rumi’s betrayal of her costars, namely that she believes her own demonic traits will be erased once they sing “Golden,” but Zoey and Mira don’t know that! They have every reason to be angry at her. While they do try to confront her later, that arises from other behaviors and warning signs, not from this clear and remorseless betrayal. In this moment, when they discover their vacation has been cut short, all is forgiven and forgotten almost immediately.

Like I said, I feel like they were getting there, except they waaaay boffed it at the end with this generic message of “Oh EVERYONE has their hidden demons and you just need to BE YOURSELF,” and not “These PERFORMERS have their demons and are afraid to be anything other than perfect because of the backlash they’ll face.” Again, this is highlighted by the fact that they’re angry to see a rival band. Why would this make them angry? Because they need the fans! They need to be IT and PERFECT! But again… that didn’t go anywhere. They still just LOVE being pop stars, and the message of the movie ends up being generic: DON’T BE AFRAID TO BE YOURSELF.

Again, to give it a generous reading, “coming after the fans” could mean she fears the demon band is a danger to the fans, except… they establish in an earlier scene that the Saja Boys are not “coming after the fans” in a dangerous way. It really just reads to me here like she’s afraid to lose fans because of her music career, not because the rival band is made up of demons.

I don’t have anywhere else to put this, so I’ll just say I looked it up and “Saja” 사자 means “Lion.” Hence the band’s logo being a lion and their call to action being, “Join the pride.”

Credit where credit is due, I like the lyrics in “What It Sounds Like,” the final number the trio sings as they defeat the demon lord. Specifically, when they sing “[N]ow we’re seeing all the beauty in the broken glass.” That’s a good line! I like that one. Oh, but speaking of that song, there are other lyrics I want to focus on…

My voice without the lies

Why did I cover up the colors stuck inside my head?

We’re shattering the silence.

It’s all about a “song [they] couldn’t write.” The lyrics are all about uncovering the truth, finally being honest, not being scared to be their real selves, to show that they have flaws. I’m willing to bet there’s another layer of meaning to it, too, considering it’s likely that pop stars aren’t always allowed to perform the songs they want to sing. I’m sure there are some out there who would prefer to go against their established “image,” and either feel they can’t or are explicitly told they can’t. Jesus… I think I just described the plot to Stuck in the Suburbs. Am I really sitting here thinking the Disney Channel Original Movie Stuck in the Suburbs achieved the message I’m looking for where KPop Demon Hunters didn’t??

“What It Sounds Like” could have been the perfect anthem for tired, burnt-out celebrities and pop stars everywhere. “We’re shattering the silence”? Come on! When I think of entertainers shattering the silence, I think of the abuse they endure behind closed doors. The pressure. The paparazzi and fans hounding them. Photoshopped pictures in magazines. Speculation in headlines. Their lives under fucking microscopes. They never have peace! This song could have been about them coming to the realization that it’s better to let the world see them as imperfect than to keep living up to impossible standards at the expense of their own mental health. But, no, in the context of the movie, it’s all rolled into the “Don’t be afraid to be yourself” narrative.

I swear, the bones of this theme are in there. Look at Saja Boys’ final song. The religious imagery in their lyrics, the fact that they are dressed like the Korean version of the Grim Reaper. Describing fans as “down on [their] knees” to worship the band. The sinister nature of the song is ostensibly about how the band of demons is planning to take people’s souls (“You gave me your heart, now I’m here for your soul”), but I see it as yet another cry for help. The obsession of the fans exposed as something dark and unbearably heavy, not a connection, not a tie that binds, but a rope that constrains and imprisons:

I can be the star you rely on

I’m all you need

Your obsession feeds our connection

They’re there for the fans. The fans “rely on” them. But who can these pop stars rely on?

Why wasn’t this theme explored more fully? The concept of idols and stars being beholden to their fans, even if it’s to the celebrities’ own detriment. Is it because it’s a kids’ movie? (I think it is? I’ve heard people talking about their kids loving it, at any rate.) Maybe it wouldn’t be so bad for kids to learn that the celebrities they idolize are human, too. And it wouldn’t have prevented kids from picking up on the more general message of “It’s okay to be yourself”! That message could have still been there! We need to give kids more credit, man.

Or was it because the filmmakers didn’t want to piss off the Powers That Be in the entertainment world? In the KPop world? Maybe. I’m not sure I can blame them for that. It is quite possible that the oppressive nature of the entertainment industry is exactly what… prevented this movie from pointing out the oppressive nature of the entertainment industry. Gotta appease the masses. Gotta appease the bosses. The people who write the checks don’t want to look bad. No no. Stay in line. Funnily enough, in a meta sort of way, this movie does kind of send the message I wanted it to. My awareness that the moviemakers would have had to pull their punches to appease the higher-ups is the message, but only if they had punches to throw and chose to pull them. I can’t speak to the motivations of the people who wrote and produced this movie. Maybe it never occurred to them to send a more poignant message. I’m operating under the assumption that they would have wanted to, but felt they couldn’t. Maybe they didn’t want to at all, which is a problem in and of itself.

Anyway, what I would have done would be to make it so the general public DOES know about the demons and THEY are the ones who turn on Rumi when they discover she is part demon.

(BTW THEY NEVER EXPLAINED THAT. Did her mom have sex with a demon?? What are demons anyway? I love their design, but they appear to be a bunch of otherworldly monsters and then… there is this one dude who was human and sold his soul. So were all demons human once? Some of them? I know Rumi tried to figure that out herself in one scene, but was unable to draw a conclusion, as I am unable to do. Was Jinu a demon at all? Why does he get a pet bird and tiger? Where did they come from? Are they demons? Demon animals?? Maybe I missed something…)

Ahem, so basically it could have been a message about how nice it is to sing and how Rumi can’t get enjoyment out of it when there’s pressure to be an IDOL, and the end of the movie is her realizing she doesn’t need to be this perfect object for her FANS, but rather can sing on her own terms for herself. The woman who does Rumi’s singing voice, EJAE, apparently had her own negative experience with this industry as she was told she was too old and would “never make it,” so I’m simultaneously very happy for her and also upset that they didn’t go more into the “Pop stars don’t shouldn’t exist to be consumed by the masses” message.

I really thought for a small portion of the movie that they were going to go for it, they were going to make a point about what celebrity does to people (both the person who is a celebrity and the people who worship them). The trio really could NOT stop repeating the fans thing. The fans! For the fans! We need the fans! AHHH THE FANS. It’s like… are we supposed to believe this is a healthy mentality?? Because it’s not. Yet, that was never addressed. A charitable reading of this is that they like pleasing the fans and interacting with them, and that is why they are so desperate not to disappoint. But… it still leaves us with these three women making all their decisions for groups of strangers rather than for themselves.

Imagine if a group of the obsessed, screaming fans featured at the beginning of the movie went up to Huntrix at the end of the movie and calmly, politely asked if it was okay to chat, rather than screaming manically and assuming it was okay to mob their idols? What if the fans thanked them for their hard work? This would contrast nicely with the fan behavior throughout the film and show there was a lesson for everyone to learn.

In conclusion, it was a pretty movie and I liked it (though I am concerned all the bright colors and jerky animations were there to continuously grab and regrab viewers’ attention, not unlike someone constantly snapping their fingers in front of your face), but the ending had it falling flat for me. Rumi, Zoey, and Mira want to be golden, but—to paraphrase a famous poem—“Nothing gold[en] can stay.” They strive for perfection that cannot and should not exist.

So yeah, the film was good, but it had no teeth. I like my movies and books to have some teeth. Like Sinners. That was a good movie. It had teeth.

Also I YouTubed again. Check it out below (if I embed it correctly) or follow this link.

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Why Clarisse Can’t Be Ugly (But She Can’t Be Pretty Either)

This may come as a shock to some of you, but I am a huge Percy Jackson fan. There, I said it. It’s okay if this changes how you think about me. I know not a lot of people like Percy Jackson.

(For an example of verbal irony, please see above)

This post will be 1% my thoughts on the new Percy Jackson series on Disney+ and 99% my thoughts on the character of Clarisse. SPOILER ALERT-ISH for Percy Jackson and the Olympians.

My thoughts on the new Disney+ series: Yep. It’s pretty good. I like how it follows the book accurately and didn’t portray Hades as LITERAL SATAN unlike some MOVIE ADAPTATIONS I WILL NOT NAME.

A fiery demon with horns and wings from the 2010 Percy Jackson movie.
“Mwahahahaha! It is I! Hades! See you in Hell, Percy Jackson!”
Photo courtesy of me screenshotting it from my Disney+ subscription

So Clarisse. For those who don’t know, Clarisse is a minor antagonist who pulls a Zuko by the end of the Percy Jackson series and becomes one of the good guys. In the first novel, The Lightnight Thief, Clarisse is described thusly:

The loudest was a girl maybe thirteen or fourteen. She wore a size XXXL CAMP HALFBLOOD T-shirt under a camouflage jacket. She zeroed in on me and gave me an evil sneer. She reminded me of Nancy Bobofit, though the camper girl was much bigger and tougher looking, and her hair was long and stringy, and brown instead of red.

The Lightning Thief (2005)

She is subsequently described a few pages later as “[t]he big girl from the ugly red cabin.” Later still, “[h]er ugly pig eyes [glare] through the slits of her helmet.” Suffice it to say, Clarisse in the book is fat and ugly, and it’s heavily implied that part of the reason she’s ugly is because she’s fat.

Clarisse in the new streaming show is…

A head shot of a young attractive woman with long, curly brown hair.
Photo Courtesy of IMDb

Stunning? Is that okay to say? Her name is Dior Goodjohn, and–setting aside whatever else I say in this post–she does an excellent job as Clarisse.

But what gives? Why isn’t she ugly? Why isn’t she overweight?

Well, Clarisse can’t be ugly of course. See, when Rick Riordan originally wrote this book in the early 2000s, it was okay to equate ugliness with fatness and it was okay to equate a woman’s (or girl’s) attractiveness level with how good of a person she was. In fact, later in the series, Clarisse has a major crush and the characters are all like “Wahhh? But she’s ugly! How can she want to seek out a romantic relationship??” In The Lightning Thief specifically, Clarisse was ugly because she was a bad person, and she was a bad person because she was ugly. Remember, Scrubs, a hugely popular television show, was using its runtime to regularly make hugely transphobic and homophobic jokes. The early aughts were rife with this kind of humor and misguided symbolism.

So Clarisse can’t be fat and ugly in this new show because we’ve finally come to understand that a woman should not be judged by her looks and it’s not okay to shame someone for their appearance.

Except… what are you saying, Disney? Are you telling me you refuse to have a young woman who is overweight and/or unattractive on your new show?

Yeah, that’s exactly what they’re saying. Not just Disney, but the entertainment industry in general, has a problem with casting people who look anything other than gorgeous by society’s standards. It’s the She’s All That problem all over again (and again and again). People don’t go to movies (or stream TV shows) to see ordinary people. Psht. Gross. So therefore only beautiful people may be cast as the ugly people.

Rachael Leigh Cook with her hair tied up and wearing glasses from the movie She's All That
Ahhh! Eek! Hideous! (more verbal irony)
Photo from Business Insider

And if there is a plus-size character, the movie will let you know that this is your one (1) plus-size character whose character development will likely be dependent on one or more of the following: food and the consumption thereof, finding a plus-size character (usually of the opposite sex because of heteronormativity) to fall in love with, being judged for being plus-size, overcoming their own negative self-image that has arisen from being plus-size.

For examples, see Netflix’s Fate: The Winx Saga and the randomly-big-in-current-critique-media (at time of writing) Sleepover starring Kallie Flynn Childress as Yancy, the fat one.

In conclusion: Clarisse in this streaming series could not be ugly (or fat). And she could not be beautiful. The former insinuates that people who aren’t “beautiful” (whatever that entails) are automatically bad people. The latter rejects the possibility of showing a non-beautiful person (whatever that entails) on screen in entertainment media.

It’s a no-win situation.

But yeah, I like the show. I’ll continue to watch when the next season drops.

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Just a Normal Tuesday, an SCBWI Book Review

Just a Normal Tuesday

Click image to go to Amazon page

I did not mean to do two books on incredibly sensitive topics in a row.  It just worked out that way.  Next time I’m definitely going to have to do Caraval, because The Impossible Knife of Memory is about PTSD.  Gotta break up the heavy topics a little.  So…

TRIGGER WARNING: SUICIDE

Book: Just a Normal Tuesday by Kim Turrisi

Genre: Young Adult, Realistic Fiction

Recommendation: I think you can tell that this is not something you pick up for a bit of light reading.  That being said, I recommend it to anyone who is interested in the topic of psychology, has experienced suicidal thoughts, or knows someone who has taken his or her own life.  This book might be the companion you need if you’re feeling all alone or trapped inside your own head.

Run-on Sentence Synopsis: Kai comes home and checks the mail to find a letter from her older sister, Jen, informing Kai and their parents that she is going to kill herself, and Kai rushes to her sister’s apartment only to find out that she is too late and what follows is Kai’s descent into depression followed by a trip to grief camp where she learns that she can find a way to live through the tragedy that struck her.

(Necessarily) Long Review: This book is a little different.  I feel that something that touches on such an important and sensitive topic merits a very careful analysis and critique.  Therefore I won’t be separating out positive and negative comments this time.

At this point I’d like to note that it is extremely difficult for me to critique Turrisi here, as this story is semi-autobiographical; when she was fifteen, her sister killed herself.  But, to be fair, I am offering critique, not criticism (slight difference in connotation there).

Firstly, if you read this book, you are going to cry.  If you have a heart at all, you will end up bawling your eyes out at some point.  This could end up being a very necessary catharsis for you.  If you have experience with suicide or suicidal thoughts, you might not even make it all the way through the book.  That being said, I feel that Turrisi laid it on a little thick at times.  Suicide is already such an emotionally impactful event that I feel you don’t really need to push to convey that impact to readers.  The times when Turrisi shined brightest were when she let genuine emotions do the talking, rather than trying to emphasize the emotional weight with repetition and figurative language.

The biggest faults are the repetition and the occasional clunky piece of dialogue.  It sometimes borders on cheesy, and there’s a bit of a pacing issue.  The cursing sometimes feels gratuitous, the title is referenced multiple times with different wording (one crazy Tuesday, just another Monday, etc.), and the words “tingle,” “tingly,” and “tingling,” were used just a few times too many for my liking.

Another thing I have to say is that the book starts out with Kai finding her sister’s suicide letter, so we don’t get to see any characterization of the sister, Jen, except through brief little snapshots that barely warrant the term “flashback.”  Similarly, we don’t really know who Kai is as a person.  Towards the end of the book she starts to realize that she’s defining herself through her relationship with her sister, and I would have liked to see the character take steps to learn more about who she is as an individual.  I appreciate beginning in medias res, but a jump backward in time after the suicide note could have helped to establish Kai and Jen as characters.  Jen’s death would have meant more to me if that had happened.  As it was, and again I hate to say this, the first half of the novel started to drag after a while.  Because the book begins with Kai at an all-time low, we don’t get to see a downward spiral.  Instead, she starts out at rock bottom, and she slowly creeps a little farther downward over numerous pages.

The grief camp part of the book, on the other hand, picks up considerably.  Possibly because Turrisi relied a little more on fabrication – since she herself never attended such a camp  – we see a slew of interesting characters, a burgeoning romance, and some truly heartfelt and gut-wrenching stories of loss and suffering.

Overall, it’s not the perfect novel, but I genuinely believe it might be helpful to those out there who are suffering from a similar loss, or who are plagued by suicidal thoughts themselves.  I think what Turrisi created is commendable to say the least, and I would recommend picking it up as long as you are prepared to be hit where it hurts.

National Suicide Prevention Hotline: 1-800-273-8255

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