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Hopkins and Rowell

You know what sucks?  Being sick.  I started my new, glamorous job at Applebee’s the other day.  I am a waitress there (if you’re super into being PC then replace “waitress” with “server”) and I got super sick just in time for my last couple days of training and my first day off training.  So that meant no reading, writing, thinking, breathing, or blogging.  It was the worst.

But now I’m all better!  And I’m getting slightly better at waiting tables.

I also read a couple books.

The first: Crank by Ellen Hopkins.  This one is going on the Books I Recommend list, so look for a link there if you’re interested.  It’s a really chilling, powerful book.  My favorite part is that it’s part poetry, part prose, and part artwork.  Like the words are arranged in patterns.  Sometimes certain words are isolated so that if you read just them it becomes an entirely new sentence.  Which is awesome because it makes me feel like I’m breaking a secret code and reading all these encrypted messages.  I had the pleasure of hearing Ellen Hopkins speak at the SCBWI conference in NYC and she was an absolutely fantastic person.

The second book: Fangirl by Rainbow Rowell.  It’s not going on the Books I Recommend list, but not because it was bad.  It was a really good book.  It kept me turning pages.  In fact, the only reason I’m not putting it on the list is because I have to be somewhat selective.  Otherwise that list is going to be ten miles long.  But I will recommend it here.  If you’re interested, it’s about a girl named Cath(er) who is a twin.  She’s starting college, but her social anxiety keeps her locked in her room writing FanFiction while her twin, Wren, takes the opposite approach to college life.  Cath’s also got some family problems, some boyfriend problems, and some school problems.

Reading Rowell’s book made me realize why I have so much trouble writing realistic fiction: Real life, especially real life for teenagers, is very boring and repetitive.  If you are a teenager in high school or college, this is the short list of real-life problems that you might face:

  • Parents
  • Siblings
  • Teachers/Professors
  • Classwork
  • Who is or isn’t kissing you
  • Alcohol/drugs
  • Sex

And it is really hard to make that list unique.  Like, you could add in something about how Sarah’s archery coach told her that she doesn’t have the eye for the bulls-eye like she used to.  Or Peter is going on a camping trip with his class and he is extremely worried about sleeping at night without his stuffed Zebra, Furkle.  But for the most part a lot of these books seem to boil back down to the above list.  And that’s a difficult problem to overcome.  It is.

So that’s the main issue I ran into with Fangirl.  It had this flavor of familiarity like I’d seen and read it all before, despite the characters’ names and hair colors being different.  But what’s an author to do?  If you suddenly veer off the course, people might start criticizing you for having unrealistic realistic fiction.  It’s why I have a great respect for realistic fiction writers, and why I feel like I hit a big, fat roadblock whenever I try it.  My biggest problem with rewriting The Dreamcatchers has been this block.  The Reality Block, I’ll call it.  I want my main character’s real life to factor into her dream world, and I also want the two other teenagers she meets to have their own lives and their own stories which also become apparent in the dreams.  That’s three different lives I have to create!  Three different realities that need to appear unique while still being believable, but without being cliche.  And that’s hard.  So my hat goes off to Rainbow.  She did a hard thing, and she made it entertaining.  Go ahead and read the book.  You’ll see what I’m talking about.

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Paper Rambling

As I said in a previous post, I recently began work on my newest version of The Dreamcatchers.  For those who are new here, you might want to go over to the convenient search bar I put in for you on the right side of the page and type “The Dreamcatchers” into it.  I’ve written about it a great deal in the past, so you should be able to become quite the expert on this particular book of mine.

Rewriting this book (again) has been a very difficult job for me.  I keep starting and restarting, never liking anything I write.  It seemed like I was never going to get my footing.  And then the SCBWI conference came.  I really do have to apologize to Nikki Grimes because I missed half her speech.  I also have to thank her because something about hearing her speech must have been what inspired me to start writing.  My notebook was open in my lap, my purple pen ready, and when inspiration struck, it struck hard.  I wrote nearly 5,000 words in a day, all in that notebook.  At first I thought I’d transfer what I wrote in the notebook to my computer and then continue the book on Word.  But I found that I was too tempted to edit when I was on Word.  I was even more inclined to overthink what I was about to type before I typed it.  So I went back to the notebook.  Lo and behold, more words came.

That is how I stumbled upon my strategy for getting this book written.  Write and write – by hand – without editing.  Get it out, get it on paper.  Don’t go back and reread until the whole book is done.

Paper rambling.

This is not my usual style.  But it seems to be working for me, and I’d be willing to share a bit of the process but it has to wait until the book is done.  Otherwise how can I do a Before and After?  In other words: I’m writing.  It’ll take a while.  But I’m going to share some of my writing when it’s done.

That’s all for now!

This comic took me hours to draw, so you’d better appreciate it.

Writer's-Block-Strip-40

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SCBWI

Recently I became a member of the Society of Children’s Book Writers and Illustrators, which turns out was a really good idea for me.  I just got back from their annual conference in New York City, and let me just say: Boy howdy!  There was a lot of good stuff there.  At this point I must note that part of my little welcome packet at the conference was a piece of paper all about what was and wasn’t okay to share on blogs.  Basically they said that sharing any pictures or videos would be a violation of copyright laws, and also that I shouldn’t write out any of the speaker’s speeches word for word.  They did say that some direct quotes with citations would be fine, and that’s great because I took down a lot of those!  And I’m going to share them here for you today.

First up is Jack Gantos, who was one of the funniest people I’ve ever had the pleasure to hear speak.  Therefore there are a lot of quotes from him.  He is an author.  I bought two of his books after hearing him speak.  They are Dead End in Norvelt and Hole in my Life.

“I don’t know about you, but the way I think is very, very random.”

Harriet the Spy is a handbook for writing.  Spying on people.  Who doesn’t love getting in other people’s business?”

“The reason you read books is to change.”

“The book is like an infection.  It’s a virus.  It gets in ya.  It’s good for ya.”

“My dad gave me a shovel for my birthday…and a handbook.”  The handbook in question was the Fallout Shelter Handbook.

Next was a panel of speakers.  They included Paul Aiken, the executive director of The Author’s Guild; Jean Feiwel, SVP Publishing Director of Macmillan Children’s Books; Jane Friedman, Web Editor, Virginia Quarterly Review; Abbi Glines, Author; and Timothy Travaglini, Director of Children’s Acquisitions at Open Road Media.  If they weren’t all quoted, it’s because I couldn’t write fast enough, not because they didn’t say anything of interest.

“We’ve lost sixty to seventy percent of our retail shelf space for books in the last ten years…fortunately there are other physical places for books.  Public libraries…and classrooms.” – Paul Aiken

“I catch my kids watching John Green videos on the computer.” – Paul Aiken

“When I released it, I got really bad reviews because it was bad.” – Abbi Glines, on self publishing her first book, Breathe.

“Writing a book is like a muscle: It gets better with use.”  – Abbi Glines

“I don’t think you’re going to be as successful if you are reclusive…I think in this day and age that’s going to be a problem.” – Jean Feiwel, on promoting yourself.

“What’s unfortunate about the self publishing model is it doesn’t represent all genres equally.” – Paul Aiken

“I think publishers have to acknowledge that they don’t know everything.” – Jean Feiwel

Finally I have a couple from author Kate Messner, who gave a lovely speech.  She has written picture books as well as YA.  I purchased one of her books titled Wake Up Missing.

“I say ‘yes’ to most things before I’ve really had a chance to think about whether or not it’s a good idea.” – KM, on agreeing to do a TED Talk.

“My husband was so disgusted with the Super Bowl he voluntarily switched over to Downtown Abbey at nine.” – This is not related to writing in any way, but I thought it was funny.

So there are those.  I hope you find them as amusing and/or informative as I did.

Something else important happened while I was at that conference.  I was listening to the engaging and talented Nikki Grimes – author of such books as Words with Wings and Planet Middle School – when inspiration struck me.  And it struck me quite hard.  I now have 4,745 words written for my second rewrite of The Dreamcatchers.  I guess I have Nikki Grimes to thank.  Her work sounded wonderful, so I’d recommend checking it out.  I do want to talk about the strategy I’ve chosen for getting this book written, but we’ll save that for another post.

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