Tag Archives: writer’s block

Notes to Myself

I have been writing a lot without remembering to advertise!  Blasphemy!

Check out these new things I’ve got in my Etsy shop [EDIT 1/12/15: Etsy shop has since been closed but I’m leaving these images up because I’m a showoff]:

All Leaves 3

Caramel Leaf Earrings 7

Okay on to the blogging.

As some of you may know, I am attempting to write a book almost entirely by hand.  And it’s going well for me so far.  The hand-written method means I am less tempted to reread, edit, and nitpick.  Which is good.  But sometimes three days after I’ve written a page, I remember something I wanted to include in that scene.  What do I do then?  Easy.  I write myself a note in the margin.

Margins 6

Margins 2

Or if I decide I want to embellish a little, all I have to do is go back, add an asterisk and put the extra writing in the margins.  And if I don’t like what I decided to write in that margin, I just leave myself a note to fix it later.

Margins 3

Sometimes I just forget a pattern of colors that I used for a life-sized game board.  The margins are useful for that, too.

Margins 8

And other times when I’m feeling kinda writer’s blocked, I simply doodle until I get back on track.

Margins 4

Margins 5

Margins 1

Lastly, there was this one time I accidentally dotted an E.  So I did this:

Margins 9

Apparently I thought it was necessary for my future self to know why I drew a thought bubble over a word.

What I’m saying is that margins can be useful.  It’s okay to not get it right on the first try.  In fact, it’s preferable.  There’s less pressure that way.

I feel like a lot of people have the wrong idea about the writing process.  Like…they think that first you have to create the skeleton, then go back through and add flesh and muscle, and finally you polish it up with some facial features and pretty hair.  But that’s just not the case.  As far as I can tell, the first step for me has always been figuring out what a skeleton’s even supposed to look like.  My first drafts have a pelvis sticking out of an eye socket, with both arms on one side of the body and the left foot jammed between two ribs.  And that’s okay!  Because the next stage of editing is when you can take a quick anatomy lesson, show your skeleton to friends and have them rearrange some things.  Then, and only then, can you start to think about muscles and tendons.  It’s a tough process, but as I said, it is also liberating.  There’s no pressure to know what the hip bone connects to.  You just go all out, give it your best, and know that no mistake is unfixable.

Soooo…that’s it. I’ll write again soon!  Bye!

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Change Something

In my last post I promised that I would talk about my strategy for battling Writer’s Block TM.  I am not going to give you a link to my last post because there is already one hanging out over this post.  (Hint: It’s the one that says “Death and Writing”)

So…my strategy.  It’s pretty simple.  Whenever I get stuck, I try to change something.  Easy, right?

WRONG!

No, I kid.  You’re probably right.  But seriously no it’s not that easy for me.  See if you’re just joining my blog you might not know that I’ve already written The Dreamcatchers twice.  But…now you do know that.  Let me also tell you that it was pretty difficult.  And writing this third version has been the hardest attempt of all.  Because I’m sitting there thinking, Okay, this scene has to go exactly like this.  That’s how it’s always been and that’s how it’s going to be.  If it ain’t broke don’t fix it.

You see where I’m going with this, right?  I get so set in the way I think it’s “supposed to be” that I forget to stop and say, “Hey, I can change anything I want.  I’m the freaking author!”  So when I get stuck on something, that’s exactly what I do.

For example:

The setting: A dream in which three characters are playing their way across a life-size game board.

The scene: One of the characters is challenged to do a thing.

What it used to be: My main character did the thing.

What I decided to change it to: One of the supporting characters does the thing.

And you know what?  It worked.  It actually improved the flow of the story, in my humble opinion.  I’ve been making a lot of little changes like that to help keep the ball rolling.  Some big changes have been made, too.  And hey, I don’t even know if it’s going to work out in the end.  I might have to edit those changes out later, or change the changes to something else.  But for now it’s helping me get words on the page, and that’s great!  Because that’s my goal right now.  To write and write without worrying so much about nitpicking and harping on every little detail.

I would highly recommend this strategy to anyone who finds themselves getting stuck in the mire.  Really think about what you’re writing and how convinced you are that things have to be exactly the way they are.  You might be surprised at how much better the story works when your wizened old grandpa character is changed into a twenty-something female stripper who goes by the pseudonym “Pretzel Twist.”

Hope that helps!

Byyyye!

P.S. 21,600 words, all handwritten, and counting (I know because my hand felt like it was going to fall off so I took a break to type up everything I’d written.  I did not painstakingly go through my notebooks and count all the words.)

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Filed under books, Humor, writing