Tag Archives: fiction

Derp Dragon Says Hello

If you’re wondering where I’ve been lately, then please make something up.  I guarantee whatever excuse I end up with in your imagination will be more interesting than the truth.

What I wanted to do today was talk about my newest project, which is actually an old project.  I started writing a YA sci-fi book on this blog a while back and I stopped after a few chapters because I had no idea where I was going with it.  But you’ll see that I have linked to it because for a first draft it wasn’t totally terrible.  So you can check it out if you like.

The thing is, I still believe in that idea.  Also I need a new project or I’m going to go insane.  Since it had been so long since I’d written for this blog, I figured I’d get back into it.  What I want to do is create a proper outline and character bible before I start rewriting, and I thought there would be no better way to brainstorm and get my ideas in order than to put the character bible here.  I’ve decided to do a rundown of each of the main characters, one post at a time.  Complete with concept art probably!

I was going to get started today, but then I thought that procrastinating would be more fun.  So I drew a derpy dragon.

Derp-Dragon

Is that his tongue sticking out the side of his mouth or is he smiling real big?  The world may never know.

I will begin this character bible thing soon.  Promise.  This time we’re gonna do it the right way.  And if the project still doesn’t work out?  Oh well!  As they say – Nothing ventured, nothing potato.

Right?

Oh, I also finished my Elemental Chinchilla series, for those who were on the edges of their seats.  If you have no idea what I’m talking about, try clicking back through the past couple posts.  I think that explains them sort of.  Anyway here they are:

Ice Chinchilla

Fire Chinchilla

Air Chinchilla

Metal and Earth

That’s all for today!

Wait I lied.  I should probably give a brief plot summary for the new/old novel, huh?  Well, it’s a YA Sci-Fi, as I said, and it follows two main characters on a planet that was once used as a prison but is now kind of its own tyrannical dictatorship society.  It’s cut off from all the other planets in the galaxy – no communication, no ships in or out.  Think Space Australia, if Australia were a tyrannical dictatorship that was cut off in every way from the outside world.  So the main characters are trying to overthrow the mean government while dealing with personal issues and teenage angst and… yeah.  That seems like a good summary.

Okay bye!

Next time.  Character bible.  For sure.

Bye for real!

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The Elegance of the Hedgehog

About a hundred million years ago, my mother loaned me a book entitled The Elegance of the Hedgehog.  Written in the original French by Muriel Barbery, it was translated to English by Alison Anderson.

Hedgehog

Click for a link to the Amazon page

I started reading it a long time ago, but I stopped after a while.  Probably because I felt incredibly stupid.  This book has a way of addressing philosophy, culture, politics, and life in such a way as to make one feel very simple.  Not to mention that I am not so good with the French.  I will eschew all pretense of humbleness and say that I have quite the knack for languages.  Never French though.  It always eluded me.  The pronunciation, the conjugation, the extraneous letters.  Sometimes I even think they throw in extra accents on some words that are completely superfluous, their only purpose being to make sure the reader is still paying attention.

Anyway, I was unpacking in my new home in Texas (yes, I’m living in Texas right now if you can believe it) and I came across this book with my hologram bookmark still inside it, marking where I left off.

When you tilt it back and forth, the horses gallop in place.  Kinda cool actually.

When you tilt it back and forth, the horses gallop in place. Kinda cool actually.

I took this as a sign that I had done enough work for one day (read: no work at all) and sat down to give it another go.

That was a couple days ago.

Today I finished it, and I am sitting here now to recommend it to you.

This book follows two stories.  That of Renée, a middle-aged concierge and widow whose job it is to cater to the rich snobs who make a habit of looking down on her or right past her.  And that of Paloma, a twelve-year-old prodigy who is desperately trying to figure out the meaning of life and her place in it.

Despite how it might sound so far, the book manages to get away with a great deal of profundity and intelligent discourse without losing the reader because it is written completely without pretension.  The two main characters simply observe the world in their own particular capacity, and you, the reader, find yourself following along without feeling a sense of condescension from the author.

It’s brain food, to put it simply.  I find the book is best read the way a jacuzzi is enjoyed.  Immerse yourself as much as you feel comfortable, and just relax.  Sometimes as I was reading I found my mind glazing over, not really focusing too hard on the words.  And that was okay.  The great thing about this book is that something is bound to pique your interest, and if a particular section doesn’t, you can simply float through it.

For example, I was particularly taken by a passage on adolescent behavior, which I will quote below for you.

And secondly, a teenager who pretends to be an adult is still a teenager.  If you imagine that getting high at a party and sleeping around is going to propel you into a state of full adulthood, that’s like thinking that dressing up as an Indian is going to make you an Indian.  And thirdly, it’s a really weird way of looking at life to want to become an adult by imitating everything that is most catastrophic about adulthood…

The Elegance of the Hedgehog, pg. 192

This quote struck home for me because I grew up around kids who bragged about how drunk they got over the weekend, who threw parties in their parents’ empty mansions while mommy and daddy were away in Bermuda or whatever.  It was a cry for help and attention, and all the while they told themselves they weren’t just doing it to look cool or to rebel.  That they were doing it because they wanted to, because they just didn’t care, because they understood the consequences of their actions, when none of that was true.  I know I sound high and mighty, but I didn’t partake.  It frightened me how desperate my peers were for an escape.  Hell, in high school I wanted to escape too, but I coped by closing myself off from my family, lashing out at anyone who tried to help me, and burying myself in books and video games.

Hm….on second thought, maybe I should have tried the drugs.

But anyway, the writing is beautiful.  Barbery, through Anderson, has produced a piece of artwork with sentences like strings of pearls.  I could never produce anything like this.  For one, because I have not memorized the OED, and for two because if I attempted it I would just end up flailing through a piece that dripped with pretentiousness.

What really sealed the deal for me was the dry wit, the humor.  Leaving you chuckling, understanding the source of it, and wanting more.  It’s not overused either.  The book is perfectly seasoned with it.

So go down to the bookstore or the link above and give it a try.  It will be well worth it, and at the very least you might sound smart while talking about it, so you can lord your intelligence over those undereducated paupers you call friends and family.

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Free Sample

Welp, I finished editing Grotesque.  Before you go about congratulating me, I want to define “finished” for you:

Finished [ƒǝƞ-œŒ- ñÿď] adj – At a point where a book can be sent out for initial critique, where the book meets at least two of the following three criteria: 1. Is legible  2. Is in a language that all or most of the readers know  3. Obeys some rules of grammar

So yeah.  It’s not done.  Not by a long shot.  So I want you to keep in mind that the small sample I’m about to provide is completely unedited.  It will definitely change at least once before the month is out.  I can guarantee that.

But that’s okay!  Because all I really wanted to show you was some of the ways the book has already changed.  So I’m going to take a risk and compare the old and new introductory passages (which is only a risk because I am not sure at this point if my beta readers are going to like the new intro at all), as well as one other excerpt taken from the end of Chapter One.

For those who need a bit of a refresher on Grotesque, you can click here to go through my favorite post about it.  Or you can click here to go to the post in which I describe my inspiration for it (and then apparently provide the entirety of the first chapter, but you don’t have to read that).  Or you can go really crazy and click on both those links.

Okay, so here we go.  I’m going to put all passages in blockquotes so that they’re easy to differentiate from like…this writing I’m doing right here.

Pre-rewrite intro:

I awaken for the first time on the ledge of a tall building, the ground too far below for comfort. Above me is an inky black sky full of bright stars, a large moon, and a few wisps of gray cloud. The words for these things come easily to me, in a language that floods my mind, though I don’t know where it came from.

New intro:

Cold

Falling

Gasping

Breathing

In

Out

Flailing

Grabbing

Holding

Balance

Nerves tingling.

Heart pounding.

Stuttering breaths, in and out.

What am I doing?

A cold breeze dries the sweat on my forehead.

Where am I?

Sitting on a ledge, gripping onto something to keep myself steady, beneath an inky black sky dotted with stars. The moon is bright, illuminating a few wisps of gray cloud, and the ground beneath me which is too far away for comfort.

So why’d I change it?  Well, the first intro honestly wasn’t very captivating.  It also felt kind of forced and clunky to me.  With the new introduction, I wanted to try to encapsulate what it really would feel like to suddenly be alive for the very first time ever.  Once again, not sure if my readers (i.e. close friends and family) are going to like it.  It might change.  But this illustrates the direction I wanted to take it in pretty well.

Next we’ll look at a little further down in the same chapter.  This is from the old version:

“I brought life to you because I need some help.”

“Doing what?”

He shrugs.

“This and that. I have rather ambitious plans for my future, and I knew I wouldn’t be able to accomplish my goals without help. So I risked weakening my powers some in order to give you life.”

“What if I don’t want to help you?”

“Oh, you can’t refuse. You’re enslaved to my will. You will have to obey any and every command I issue to you.”

He is so matter-of-fact about it, but I find I am not nearly as calm. I feel anger and frustration rising in my gut as the meaning of his words sinks in.

“So you brought me to life just to use me as a slave?”

“Yes.”

“I think I’d prefer to be a statue…or free.”

The man snorts out a laugh.

“And what would you do with your freedom? Do you really think people would accept you into their homes? Into their lives? You’d be hunted down and slaughtered on sight.”

I feel my throat tighten, cutting off further words. He is right, of course. This had all been part of his plan to keep me under his control.

“Besides,” he continues. “You can’t be free. Not until I’m dead. And don’t get any ideas. You cannot disobey me.”

Well, this is a solution to one problem at least. I raise my hand and slash my claws across the man’s throat. His blood spills quickly, and he collapses to the floor. The bastard hadn’t ordered me not to kill him, so I wasn’t disobeying anything by doing so.

And this is that same scene from the new version:

He shrugs. “This and that. I have rather ambitious plans for my future, and I knew I wouldn’t be able to accomplish my goals without help. So I risked weakening my powers some in order to give you life.”

“Why should I help you?” I ask, genuinely curious.

“Because I’m going to tell you to,” is the reply. “You can’t refuse. You are bound by my will, and will continue to be until such time as I meet my inevitable, but unfortunate end.”

“So you created me to be your…slave?”

Slave. The word whispers itself in my ear, its significance bubbling in my mind. Bad. Not free. Trapped. Suffering.

I am pretty sure I don’t want to be a slave.

“Don’t look so concerned,” the man says, chuckling. “You will be happy to serve me. Your only purpose in life will be to please me. You will see that everything I do is for a greater cause.”

At first his words don’t seem all that reassuring, but suddenly I can see his point. What’s so wrong with being a slave? I’ve been promised security. And this man hasn’t given me reason to believe he has bad intentions. Surely this will be a good thing. I can’t wait for his next order so that I can show him how obedient I can be.

I smile.

Hopefully you can see how different this scene has become.  Thanks to my friend Micah’s suggestions, I added a new layer to Serrafiel’s character arc by forcing him to be happy with his position in life, rather than giving him a sense of morals right off the bat.  If he were truly new to life, he wouldn’t immediately know what was right or wrong.  He’d be like a two-year-old.  And that made his arc more interesting (in my humble opinion).  Because he has to grow up very, very fast.

Also, because I just realized that not everyone will read the name with the Spanish pronunciation, Serrafiel is not pronounced “Sarah-feel.”  It is pronounced “Seh-ra-fee-EL.”  That’s the best I can do for a pronunciation guide.  In case you didn’t notice when you were reading earlier, I’m not so good with the symbols and such.

And that’s it for now!  Hope you like the sneak peek at the changes I made.

Lots of words for you to read today, huh?  How about I reward you with…

A NEW COMIC!!

Writer's-Block-Strip-44

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