Category Archives: Humor

Donald Trump is the Wrong Genre

There is a section of the Passover seder that has been circling around in my head called “Dayenu” or (read right to left) דַּיֵּנוּ‎. It translates to, “It would have been enough.” Part song, part call-and-response, a reader lists the miracles and wonders God enacted during the exodus from Egypt. After each item listed, the responders say, “Dayenu” to acknowledge that He had already provided, and they would have been grateful even if He had stopped there.

For example, “If He had taken us from Egypt, but not parted the Red Sea… Dayenu.”

It would have been enough.

I have a different version of Dayenu in my head for Donald Trump, a man I hope never to write about ever again after this.

What can I say about this orange-lacquered sack of fart vapor that hasn’t been said already? The man’s brain is a half-eaten pudding cup that has been left out in the sun for a week. And the most complimentary thing I can say about him is that, at one point, it’s possible his brain was a half-eaten pudding cup that hadn’t yet been left out in the sun.

But he never had a full pudding cup! I’m sure of that!

I’m confident he cannot now, nor could he ever, name the three branches of the U.S. government. I think, if someone wanted to, they could tell him the president is the “Execution Branch” of the government, and he would believe it. He’d probably like it! This just hit me as I was typing, and I feel such… resignation. He’d like the sound of being the “Executioner.” I’m certain of it.

I don’t know how to speak Hebrew, so I don’t know if “It should have been enough” can be translated accurately into one word. But that’s what it is.

In my head, it goes like this:

When he bragged about using his status as a celebrity to sexually assault women…

It should have been enough.

When he mocked a disabled reporter…

It should have been enough.

When he watched hundreds of thousands of Americans die from a highly contagious virus while spouting misinformation, inciting violence against Asians and Asian-Americans, and failing to provide necessary medical supplies and aid to doctors, nurses, and hospitals…

It should have been enough.

When he incited a riot on Capitol Hill…

It should have been enough.

When he was charged and convicted with 34 counts of felony document falsification…

It should have been enough.

When he claimed immigrants were eating people’s cats and dogs, once again blithely stirring up hatred and violence towards a vulnerable population…

It should have been enough.

When he watched a man sieg heil on stage two times at his inauguration, and did nothing…

It should have been enough.

When he began trafficking people to a torture prison in El Salvador, and did not stop when he was ordered to by the courts…

It should have been enough.

When he refused court orders to bring an innocent man back to his family…

It should have been enough.

When he, a man who has made full use of due process of the law time and time again, claimed there wasn’t time to give people due process…

It should have been enough.

When he was told that stores would soon have empty shelves due to tariffs, and responded by saying American children would have to make do with “two dolls instead of thirty”…

It should have been enough.

I could go on. And on. And on. That’s the problem, isn’t it? For all I’ve listed here, there are five hundred things I didn’t list. Children in cages at the border? Saying Kamala Harris “suddenly” became Black? Canada as the 51st state? Thinking “transgenic” mice were transgender??

I would be the proverbial monkey at the typewriter, banging on the keys to infinity, never able to stop because there would always be more. Except I’d never get around to accidentally producing Shakespeare’s plays because I’d be too busy listing crimes and atrocities.

Not to mention stupidities. Donald Trump regularly commits stupidities.

Any one of the things listed above should have been enough. It should have been more than goddamn enough!

This all came about because of a very real question I felt the need to ask my editor a few weeks ago. Before we got into the meat of our um… meeting… homophones are weird… I had to ask her for her opinion on including or excluding politics in the novel. Because Trump’s presidency, his existence, does not work for the Romance genre. And, if I’m being honest, it doesn’t work for reality.

If you met someone who woke up from a ten-year coma today, and listed every major point of Trump’s political career from start to finish, I bet you wouldn’t actually get to finish. I bet they’d stop you pretty quickly. You wouldn’t even be able to get to D.O.G.E. But if you did, that’s where they’d stop you for sure.

“Enough!” they’d yell. “You’re making this up. It doesn’t even sound like good fiction. It sounds like a poor attempt at parody.”

“You’re right, learned ex-coma-patient,” you would respond. “It does sound like the worst kind of parody. Now let’s get you back to bed. I probably should’ve taken your vitals before trying to catch you up on what you missed.” (You are a medical professional in this scenario.)

I mean… can you imagine what would happen if I acknowledged our current reality in the fiction I constructed? It occurred to me that the moment a character brings up Donald Trump, that would be the moment when the book becomes exclusively about Donald Trump. How could they ever talk about anything else?

So I got permission from my editor to not bring up politics. Not anchor the book in any given time period. Not mention who is president. Just not. Full stop.

Because our current president belongs in parody. In farce. In heavy-handed satire.

Like… imagine if you were watching Wall-E, and, instead of the late Fred Willard as the live-action president, you saw Donald Trump. Would you even blink? It feels like he fits there, doesn’t it? It’s so terrifying and sad and ludicrous. It’s… terrsadicrous.

I just needed to get that off my chest. I am so excited to be published and to continue going through this process, but I also feel deeply, tragically, lost. I needed to get the sadness out of me. Now I intend to focus, as much as I can, on the happy. It feels wrong to do that, I’ll admit. I feel a kind of survivor’s guilt maybe? I am (relatively) safe. I am (relatively) secure. So many others aren’t. At time of writing, Kilmar Abrego Garcia still isn’t home with his family. How dare I celebrate at a time like this? But I must. I simply must. It won’t stop me from hurting for all the people who are not safe and secure, but I feel I will truly lose my mind if I can’t also allow myself happiness.

It should have been enough, and enough, and enough. A thousand times over, it should have been enough.

Here’s an art I did of the orange fartsicle:

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Filed under Humor, Politics, writing

Mysterious Mobile Misogyny

This post is definitely going to be a non-sequitur considering my last one was like, “Yay I have a literary agent!” And then the post ended with a rejection factory? I guess I was trying to temper expectations, but I think I just did a bummer, so… sorry for doing a bummer. Suffice it to say, I still have a literary agent, and things are happening. I’m not sure what I’m allowed to say about those things yet, so I’m being cautious. But they are good things.

In the meantime! You are not gonna believe the trigger warnings for this post, but I promise they are real and should be heeded.

TRIGGER/CONTENT WARNING:
– Domestic Violence/Violence Against Pregnant Women
– Child Endangerment/Death
– Pregnancy/Difficult Pregnancy
– Miscarriage/Stillbirth
– Poverty
– Death/Freezing to Death/Hypothermia (human and animal)
– Starvation (human and animal)
– Disturbing Medical Imagery

I play a lot of stupid little iPhone games while I’m going about my day-to-day, and often these games are free with ads or they offer bonuses if you “watch” an ad. Since I usually have the games running while I’m doing something else, I tend to just “watch” the ads. Whatever.

Except… I noticed a terrifying trend. You may have seen this yourself at some point. A woman who is either pregnant or has a child (or both!) gets kicked out by her husband/boyfriend/??? and has to suddenly walk uphill in the snow against the wind to find a dilapidated shack in the middle of nowhere to survive and raise her child(ren) in. Then the ad implies only You can save these women by matching three things or merging two things or pulling a pin out of a thing. Often, the ads feature the women literally kneeling as if in supplication as they beg You (the viewer) for help. I took screenshots to help underline my point, so again I urge you to look at the Trigger Warnings above.

There are so many things wrong with this ad trend that I am going to fall back on a classic Internet tool: The Numbered List (Number 1 may surprise you!)

1. This is not the game…
Look, you saw the title of this post. You know I’m getting there. Just give me a second to get to feminism. I want to start with the more practical stuff.

One of the things that baffles me about mobile game ads (and something that many other people have pointed out) is that they very rarely show actual gameplay. It goes further than that, though! It’s about regulations. It’s about the fact that they’re not required to show actual gameplay. Occasionally, Candy Crush will put “Not actual gameplay” or something similar in teeeeeny tiny font at the bottom of the screen, but no one else does!

It goes further again! These are all different games! Look at this:


If you play mobile games, this image may be familiar to you. Like me, you may be so used to seeing this woman and this little girl being desperate for warmth that it doesn’t even occur to you that the above image is not from the game you’re thinking of. More likely, you’re thinking of this game:


No. Regulations.

I’ve thought about this and thought about this. I have put more thought into these ads than the people making them. They don’t deserve to live rent-free in my head, yet here we are. Not only are the games blatantly plagiarizing each other, but the ads are copied and pasted. If I were any good at research, I would look into the ad companies, not the games. I wonder if all these games farm out their ads to the same company, or if ad companies are copying each other. I have literally seen ads for Royal Match one day that suddenly have a character from Toon Blast in them the next. Literally the same ad, just a bear from Toon Blast subbed in for the king from Royal Match. To add insult to injury, the “level” portrayed in the ad does not accurately represent the gameplay or imagery in either game.

And there’s also this:

Sometimes the mom in this ad is a completely different woman (the green-haired woman who is the actual mother in the game being advertised), and I think the Black woman above is from a different game from the same company. They just swapped the two female characters out for some reason??

People say (I think) that the reason there are no regulations is that a lot of these game and/or ad companies are outside the U.S. To this I say, the Internet has existed for a long time. Probably over ten years, at a guess. It’s time to maybe start thinking about how to address internet issues, domestic and international, with something other than: “It’s the internet…” *shrug*

Also…

2. I didn’t agree to see this sh*t

For every horrifying image I posted above, there are a hundred I didn’t dare screenshot or post here because they are literally too horrific to share. I don’t even want to put the words together that would describe them. But I kind of have to, so… REMEMBER THE TRIGGER WARNINGS, but know that there will be no images accompanying this section.

“ASMR” games that involve pustules and the lancing thereof. Foot fungus. Ingrown nails.

“Hospital” games that involve miscarriage and/or stillbirth, including little baby ghosts flying out of their mothers.

Surgery on children while their parents weep and wait for the outcome.

A starving baby cow trying desperately to suck on the frozen udder of its mother, who has frozen to death.

A woman being assaulted by her husband, getting shoved into a glass table, and lying on the floor while blood pools around her head. (She later wakes up in a body bag.)

Pregnant women being physically assaulted by their partner. Yes, you read that right. Pregnant women (plural) because multiple games have ads that feature visibly pregnant women being physically attacked. (In at least one case, this scene precedes yet another version of the pregnant woman fighting her way through a blizzard towards an abandoned shack.)

I. Did. Not. Sign. Up. For. This.*

Just because they are cartoons does not mean they can’t be morbid, horrifying, unsettling, triggering, or any combination thereof.

In a world where sane people are starting to realize that it’s best to include warnings for sensitive content, and where more and more literal children** are playing on their or their parents’ phones, we have ads for sex games popping up on our phones. We have ads with horrific medical maladies or imagery that makes you want to retch. No warning. No way to report ads (in some cases) or request not to see certain ones again. This is number 2 on the list, but it might make me the most livid. Well, maybe it’s tied with the misogyny bit. Speaking of…

*Your counterargument may be that I did sign up for this by agreeing to watch an ad and/or play a game that is free with ads, but I would argue there’s a certain expectation of censorship for an ad that can have literally any audience. Ads are regulated in other contexts. You don’t go to see PAW Patrol: The Mighty Movie and expect to see a preview for Cocaine Bear.

**I don’t disapprove of children playing on phones or tablets; this is an outdated criticism of “kids these days” and/or their parents. I don’t limit my screen time, so why would I limit my child’s? I also don’t think it’s up to an ad company to regulate content my child sees. Screen time should be supervised. But things happen, don’t they? We do our best.

3. Okay, it’s time for the feminism now.

Look, I’m not saying men come off great in these ads. They are often cheating on the “protagonist” of the ad, or they are abusive. At the very least, they are inattentive and unsupportive. That’s not a great look. But… I still need to point out that not one of these ads features a man kneeling before you, desperate for you to solve a puzzle correctly so he can avoid dying of exposure.

Strangely enough, when the ad includes an animated hand doing the puzzle (usually poorly, so that you will be so infuriated by the incompetence that you’ll download the game just so you can do it better), it often is a well-manicured uh… female-presenting hand?

So one thing I will say is they’re not explicitly sending the message that only men can save these women and children. In fact, in the lore of the ad, men are the ones who put them in that situation in the first place. Damn men. Always making their exes live in shacks in the middle of the tundra.

But (I’m saying “but” a lot, I know) they sure are saying these women are helpless without a man in their lives. The equations they present are:

Woman + Man = Home With Working Heat and Electricity

Woman – Man = Living in Squalor

I cannot stress this enough: This isn’t what the game is about. These scenes aren’t featured in the games. Or not all of them anyway. They are explicitly using this as a marketing technique, or worse (somehow) using it as a marketing technique because they’re copying someone else who used it as a marketing technique. Again, the frustration stems from not being able to do anything about this. Some ads have a button to report them for one reason or another, but I swear some of them do not have such a button. Even if they did, I’m not sure a complaint would change anything. Sure, I could rate the app one star for its ads alone. That would accomplish… nothing. These games have thousands of reviews. New reviews will have no effect.

And there isn’t enough space here to complain about how much real money these games push for on a regular basis.

It’s free! All you have to do is pay money to unlock it!

Maybe I will look into these ads a little more for another post, figure out the who, what, when, where, and why of it all. It sure does make me mad.

At least now I can finally delete all these screenshots from my phone.

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Strong Concepts

I’ve been thinking a lot lately about the term “strong concept.” It is at once easily definable and as inscrutable as Big Foot’s daily schedule. What makes an idea a strong concept? I hope everyone will agree with me when I say: Every strong concept is an idea; not every idea is a strong concept.

Lately, due to developments that I can’t talk about yet (but OH BOY get ready!), I have been mentally poring through my seemingly unending list of book ideas and trying to figure out which ones can actually be made into a solid story with a beginning, a middle, and even an end.

Something I’ve come to understand is that I often have ideas for scenes that really rock my socks, but just because I have a good scene in mind does not mean that there is a world outside of that moment. It doesn’t mean the characters in the scene are three-dimensional. One good scene certainly can’t carry an entire book. (Unless, I guess, that book was written by Stephenie Meyer. Even then, if I had been given the chance to edit Twilight, it would have turned out differently.)

For example, I have this one scene in my head. A woman walks into a PI’s office and enlists his help to find the man who is going to kill her… at some point in the future.

The backstory for the scene is in my head, too, so I guess it’s really two scenes. See, the woman has a very specific psychic ability–the first time (and only the first time) she touches someone, she gets a brief glimpse into that person’s future. She can’t control what she sees, how long the vision is, or even how far into the future she sees (could be a day, a year, ten years, or any other length of time). One day, she bumps into someone at a coffee shop and the glimpse she gets of his future is terrifying because she sees herself from his perspective as he’s about to stab her. By the time she recovers from this vision, the guy is long gone, and she only has a vague idea of what he looks like. Even worse, she can’t help but shake the feeling that he’d orchestrated that contact, like he’d known exactly what would happen to her and exactly what she’d see. Hence, hiring a PI to help her find him before he finds her.

But… then what? Who is this woman? Who is the PI? Do I even know how PIs work? I mean… I watched Jessica Jones and read The Dresden Files as well as Nora Roberts’ Hidden Star. So… no. No, I don’t know how PIs work. Do I know how to write a competent mystery? I mean… Hellbound has one. But I can’t say I went about constructing that particular mystery in a structured and logical way. Plus, the building blocks of that one were relatively simple. A mystery for adults? One that has to carry an entire novel and involves psychic phenomena? That might be out of my wheelhouse.

Is this a Strong Concept? Hmm… no. I don’t think so. Could it be? Okay, yes. It certainly could be. With some real work put into the setting, the characters (including the villain!), and the plot, I think it could transform into a Strong Concept. But right now, it’s an idea. And I’m not sure it’s an idea that merits the work it would take to make it into a Strong Concept.

Here are some questions I ask myself when I’m trying to determine if I have an Idea or a Good Idea:

  • Why do I want to tell this story? Is there a message the events and characters I’m toying around with will send? Is there something that a stranger could gain from reading about these people and events? Some sort of anchor in the real world and the Human Condition? Along similar lines…
  • Whom am I telling this story for? (It’s tempting to write an entire book just for myself that speaks to my own needs and grievances and hopes and dreams. But my biggest goal is to write for an audience, so if I find myself saying, “I want to write this for me”, I shelve the idea.)
  • What are the characters’ personalities like? Are they more than just cardboard cutouts that I’m moving around from scene to scene?
  • Can I write this book? Do I have enough knowledge and experience to make this story believable? Or will I come off as ignorant and incompetent as I attempt to play in a space I’m completely unfamiliar with?

Feel free to weigh in. What makes an idea a Strong Concept? And what makes you hit Pause and go back to the drawing board?

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