Tag Archives: fiction

Did they have couches??

When I was in high school, I for some reason had the bright idea to write a Steampunk-ish novel called The Silk Top Hat Society. It was going to be an action/adventure with a touch of magic and mystery in which a group of old-timey people come across several magical silk top hats, each of which would give the wearer a specific otherworldly ability. I believe there was super speed, invisibility, super strength… maybe teleportation or something.

I decided to write this novel… despite not knowing a single damn thing about history other than like… George Washington did exist at one point, but he’s definitely dead now. To give people an idea, I often say, “I’m so bad at history that I can’t remember what I ate for breakfast this morning.” My “research” for this novel was various movies and TV shows I’d seen (historical accuracy unconfirmed, but definitely unlikely) as well as my best friend, Liz. This led to one of the more memorable exchanges I had with her using the relic known as AOL Instant Messenger or AIM during which I type-shouted at her, “Did they wear hats??”

I was thinking about how old-timey people often wore hats as a rule—not just the magical ones they encountered of a summer day, but like… regulation hats and bonnets that people are always wearing in things like The Crucible and Pride & Prejudice. But when did the practice of wearing hats start? When did it end? Did they wear them indoors and outdoors? Was it a hard-and-fast rule, or up to the preference of the individual? Those questions didn’t even take into account that the answers would definitely vary by country, and probably several other factors. I knew none of the answers to these questions, but I’d decided it was a good idea for me to write a novel that was set in a time period that occurred previous to “present day.”

Cut to… well… present day.

I find myself in the privileged position of not knowing what, if anything, I can share about my upcoming works. This has never happened before. I used to vomit my ideas onto this blog with abandon, sharing sample pages and intimate details of my writing process. Now that I AM GOING TO BE PUBLISHED (SPECIFICALLY IN MAY 2026), I’m pretty sure I can’t do that anymore. So I’m going to be really, really vague.

I like satire. The book that IS GOING TO BE PUBLISHED (SPECIFICALLY IN MAY 2026) is satire. So was one of the other ideas I pitched to my editor. I had one more idea for a satirical novel beyond the aforementioned two, but I knew I could never write it because it was historical in nature. That, and I was concerned people would think I was cribbing from Nimona and Shrek. I wasn’t. The similarities occurred to me only after I came up with my book idea, but who wants to deal with the headache of smugly and self-righteously saying, “There’s no such thing as an original idea anymore” over and over again? Not me!

Anyway, since I thought it was a good idea, but a touch derivative and also WAY out of my wheelhouse to write (“Did they wear hats?” haunts me to this day), I made myself accept that it was only ever going to exist as a concept in my head.

For reasons I’m pretty sure I cannot get into, things changed, and I am now writing pieces of that book. Just pieces.

And it happened again! I was writing a scene that takes place in a sitting room, and was absolutely stymied by what words to use to describe what the characters were sitting on. Which means, you guessed it, I now have to scream into Google: Did they have couches?? (I suppose I could ask Liz again, but she is very busy opening a book shop and also it just wouldn’t be the same without AIM. RIP AIM.)

NOTE TO MY SISTER: I will absolutely be bothering you about this at some point. You’re just working full time and running after a freshly-walking baby. You’re probably not busy.

When was the couch invented? The sofa? The divan? What did people sit on to eat? To relax? To pray? What were the things they sat on made out of? Did rich people have more cushions than poor people? Did they have some sort of old-timey word for couches and chairs that no one uses anymore?

What the fuck is a settee??

Needless to say, I am not well-equipped to write historical fiction or any form of fantasy novel (fantasy novels always seem to have their roots in historical time periods from the real world). This will likely be my one and only foray into the genre, and I hope I don’t flub it too badly. I also hope that if I do flub it, you will find it in your heart to forgive me.

Now if you’ll excuse me, I’m going to go Google the history of couches.

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Book Announcement (OMG OMG OMG!!)

It’s finally here. The day I can tell you all about my debut novel. (Actually, the day came and went several weeks ago, but I haven’t had time to sit down and blog for a hot minute. Also, no one reads this blog, so it’s fine that I’m “late” with my announcement.)

Falling for the Protagonist by Bex Goos is coming to stores near you in May 2026! If you are in the UK, you can preorder it right now from Waterstones!

Behold! Cover Art!

Obviously, I will write again when the book is available for presale and/or preorder in the US, and I will post more as it gets closer to publication.

Since this blog is also my writing journey journal, I will soon be posting about my next novel… if I can. I don’t actually know what the protocol is for blogging about an upcoming book that hasn’t been announced yet. Maybe I’ll just be really vague? The point is, I will post again!

Love,
Bex

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Strong Concepts

I’ve been thinking a lot lately about the term “strong concept.” It is at once easily definable and as inscrutable as Big Foot’s daily schedule. What makes an idea a strong concept? I hope everyone will agree with me when I say: Every strong concept is an idea; not every idea is a strong concept.

Lately, due to developments that I can’t talk about yet (but OH BOY get ready!), I have been mentally poring through my seemingly unending list of book ideas and trying to figure out which ones can actually be made into a solid story with a beginning, a middle, and even an end.

Something I’ve come to understand is that I often have ideas for scenes that really rock my socks, but just because I have a good scene in mind does not mean that there is a world outside of that moment. It doesn’t mean the characters in the scene are three-dimensional. One good scene certainly can’t carry an entire book. (Unless, I guess, that book was written by Stephenie Meyer. Even then, if I had been given the chance to edit Twilight, it would have turned out differently.)

For example, I have this one scene in my head. A woman walks into a PI’s office and enlists his help to find the man who is going to kill her… at some point in the future.

The backstory for the scene is in my head, too, so I guess it’s really two scenes. See, the woman has a very specific psychic ability–the first time (and only the first time) she touches someone, she gets a brief glimpse into that person’s future. She can’t control what she sees, how long the vision is, or even how far into the future she sees (could be a day, a year, ten years, or any other length of time). One day, she bumps into someone at a coffee shop and the glimpse she gets of his future is terrifying because she sees herself from his perspective as he’s about to stab her. By the time she recovers from this vision, the guy is long gone, and she only has a vague idea of what he looks like. Even worse, she can’t help but shake the feeling that he’d orchestrated that contact, like he’d known exactly what would happen to her and exactly what she’d see. Hence, hiring a PI to help her find him before he finds her.

But… then what? Who is this woman? Who is the PI? Do I even know how PIs work? I mean… I watched Jessica Jones and read The Dresden Files as well as Nora Roberts’ Hidden Star. So… no. No, I don’t know how PIs work. Do I know how to write a competent mystery? I mean… Hellbound has one. But I can’t say I went about constructing that particular mystery in a structured and logical way. Plus, the building blocks of that one were relatively simple. A mystery for adults? One that has to carry an entire novel and involves psychic phenomena? That might be out of my wheelhouse.

Is this a Strong Concept? Hmm… no. I don’t think so. Could it be? Okay, yes. It certainly could be. With some real work put into the setting, the characters (including the villain!), and the plot, I think it could transform into a Strong Concept. But right now, it’s an idea. And I’m not sure it’s an idea that merits the work it would take to make it into a Strong Concept.

Here are some questions I ask myself when I’m trying to determine if I have an Idea or a Good Idea:

  • Why do I want to tell this story? Is there a message the events and characters I’m toying around with will send? Is there something that a stranger could gain from reading about these people and events? Some sort of anchor in the real world and the Human Condition? Along similar lines…
  • Whom am I telling this story for? (It’s tempting to write an entire book just for myself that speaks to my own needs and grievances and hopes and dreams. But my biggest goal is to write for an audience, so if I find myself saying, “I want to write this for me”, I shelve the idea.)
  • What are the characters’ personalities like? Are they more than just cardboard cutouts that I’m moving around from scene to scene?
  • Can I write this book? Do I have enough knowledge and experience to make this story believable? Or will I come off as ignorant and incompetent as I attempt to play in a space I’m completely unfamiliar with?

Feel free to weigh in. What makes an idea a Strong Concept? And what makes you hit Pause and go back to the drawing board?

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