Tag Archives: genre

The Marriage of Romance and Horror

I just spent an inordinately long time in my bathroom yelling at an enormous spider on the floor while I hastily applied expensive cream to my cracked heels. That’s not relevant or anything, but when the spider started moving toward me, rather than away, I was incensed. I didn’t just yell at it–I lambasted and berated it. I’m seriously hoping I damaged its self-esteem a little bit.

A simplistic drawing of a sad spider with tears in its eyes. A thought bubble above the spider reads "I guess my best wasn't good enough..."

Anyway, the spider did not attack me, so that’s a win. I know I was doing a thing with epigraphs or something, but I’m so over that. I have ADHD, something I inform people about more often than I say my own name. What I’m going to talk about today is the newest project that plopped out of my brain: Gracefall [working title]

A moodboard with text in the middle that reads Gracefall in a calligraphic font. The surrounding images, on a gray, foggy background, are forests, mansions, and ominous looking creatures that fit a spooky, somewhat American gothic theme.
That’s right. I made a mood board (vision board?) for this project. The first and last I shall ever make, unless I decide to make another one sometime in the future.

Honestly, the reason I’ve been able to write books so quickly in recent years is mostly due to two things:

  1. An excess of preplanning that goes on in my head, often while I’m trying to fall asleep at night
  2. ADHD hyper-fixation/hyper-focus that aims and fires my attention at writing so much so that I often forget to eat or pee

(The reason I wrote books so quickly in the less-recent past is because they were bad books.)

With all the above being said, I have never written a book so quickly before. Two weeks ago, on Friday October 9th, I sat down to start writing. By Sunday the 11th, I had nearly 30,000 words written. Now (Friday October 23rd at time of writing), I am working on the climactic conclusion. This tells me that the book is either very good or very bad. Only time will tell! It’s a new endeavor for me, an attempt to marry horror with romance.

I have spoken before about how there is a surprisingly fine line between the two genres. Tip too much one way over the line, you lose the necessary elements from the other genre. It’s a delicate dance, like the image below which looks like an idyllic romantic romp until you study it a little further.

It’s a gif. Everybody gets that, right? I do not want to be accused of gaslighting anybody. And also I’m not clever enough to make one of those “Charlie the Choo Choo” type drawings a la Stephen King’s Dark Tower series that actually becomes more sinister the more you look at it. My point is that it’s hard to blend horror and romance, but I am trying. It has been a wonderful adventure. Even if the book ends up not so good, I definitely enjoyed the challenge. I can’t say for sure, but this feels like the first manuscript I have written where I constantly find myself writing and subsequently deleting paragraphs at a time as I feel my way through the story. My gut has been guiding me a great deal with feelings of, “No, that slows the pacing too much” or “Eh… this would happen in a contemporary romance, but…”

Even with that, I am stunned by the speed and ease with which this book has made its appearance.

So what’s the book about? It’s a gothic horror romance that is loosely based on Beauty & the Beast. For research, I read the original story, and let me just say… there are no dancing teapots in that one. Here’s a very brief teaser/synopsis:

The old gods do not waken to celebrate the death of innocence.

They waken to avenge it.

Hidden away in the cliffside forest of Rhode Island is a manor that many know about, but none can find. The locals call it Gracefall. Once belonging to the esteemed Weston family, who amassed wealth from ship building and trade, now it is nothing more than a local legend. A mythical place guarded by a fearsome beast that chases off—or kills—anyone who gets too close. No one has ever found solid proof that the estate existed.

Until an invitation to Gabriel Weston III’s engagement party lands on the desk of Brooke Kowalski, antique book expert.

With an address to go off of, Brooke sets off with her sometimes-boyfriend, Morgan, to track down the missing estate. When the beast makes its first appearance, Morgan runs scared, taking the car and leaving Brooke behind. She finds refuge in the manor, but soon learns she is not alone.

Here’s a brief excerpt/teaser*:

October 17, 1918

I am writing this here so that there might be an accounting of what happened to me, though I feel, I fear, no one’s eyes but my own will ever see these pages. My name is Gabriel Richard Weston III, and I have either taken full leave of my sanity, or I have been cursed by a god.

And here is one more (longer) excerpt*:

Using two fingers, I guided the pendulum of the metronome all the way to the left.

“Yes,” I said.

I pulled the pendulum all the way to the right.

“No.”

Hoping my message had been received, I moved the pendulum back to center position and released it. My heartbeat picked up as I stared at the device.

“Are you a ghost?” I asked.

A moment of silence followed my question, and then the pendulum slowly tipped over to the right, clicking once as it reached the base of the arc. It paused there for a beat, then resumed its center position.

“Will I be in danger if I stay here?”

The question had to be asked, but the house didn’t seem to know how to respond. The pendulum listed to one side a little, then back to the other. Maybe it needed specifics.

“Am I allowed to leave?”

More hesitation and dithering.

“Am I safe here? Inside the house,” I amended quickly.

The pendulum stayed still this time, resting in its centered position. For a moment, I wondered if the spirit of the manor had left me. Was the pendulum centered because no one was there to answer? Or because…

“What does that mean?” I demanded. “Maybe? I’m maybe safe? How can I be maybe safe? How?”

Of course the metronome couldn’t answer, and I wondered why “maybe safe” felt so much more dangerous than “definitely unsafe.”

*This disclaimer is probably not necessary, but these excerpts are from some kind of almost-first draft, a draft that is rougher than rough, so they are very much subject to change. Also I cut out a chunk from the middle of the second excerpt to keep some of the mystery alive, so don’t be surprised if/when you see the metronome conversation is much longer.

So that’s it! I’m very excited to talk more about my genre-merging journey, but (as always) this post is already quite long. Next time!

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Defining a Genre

If you’ve been keeping up with my last few posts, you’ll know that I’ve been working on revising a book entitled Grotesque.  This book has been with me since 2012.  It has come so far since its first draft, but it’s not quite ready to be sent out to editors.  Why?  Because, as my agent, her interns, and I discussed, the book was hovering in an uncomfortable space between two genres.  It had adult themes and characters, but still read like a Young Adult novel.  In order to revise it, I had to take a step back and ask why the narrative voice wasn’t working, why it still sounded like it was aimed at teenagers.

Through extensive discussions with my husband, my best friends, and my siblings, I discovered that I was never going to be able to revise the current draft of the book to read more “adult.”  Why?  Because the content, structure, and plot of the novel were always going to be too YA.  No amount of aging up the narrative voice was going to change that.  At best I could have ended up with a YA novel that read with an incongruously adult voice.

This is how I decided to address the problem:  I gutted the book.  Took out the YA content and upped the ante.  I’m expanding the world, going into more details with regards to history and characters, raising the stakes.  And it’s working, though I’m only a few pages into the new draft.  My purpose for writing this post was to offer a quick, easy glimpse at the difference between a YA novel and a plain ol’ adult novel.  Here’s a handy Venn diagram:

Venn Diagram

You’ll note that I use a lot of words like “typically” and “usually.”  Why?  Anyone who knows me knows I hate blanket statements.  Obviously each genre has its own conventions – otherwise it wouldn’t be a genre – but there are exceptions to every rule.  The Elegance of the Hedgehog is a book that I would classify as “Adult” but one of the main characters is a twelve-year-old girl.  Similarly, Sarah Dessen has written a Young Adult novel about relationship abuse, which might be considered by some as an “adult” theme.  As for audience, there’s no set age-limit.  Adults read YA all the time.  Younger readers can find adult novels that they enjoy, or they might be exposed to adult novels through school.  I read Cold Mountain when I was thirteen years old (Summer reading assignment), and believe me that book is not YA.  It’s the Odyssey of Vaginas and it made me supremely uncomfortable.

The point I’m trying to make here is that Grotesque had elements of both genres.  Oftentimes it comes down to the way a story is approached.  You’ll note in the middle section of the diagram that there are several themes mentioned that could belong to either side.  The difference is that an adult novel will approach a theme of sexual abuse differently than a Young Adult novel.  I don’t know why I always capitalize Young Adult, but not adult.  Just go with it.

With that in mind, I began rethinking Grotesque.  Grotesque deals with a main character who has only been alive for a few weeks, yet his body is that of an adult… monster.  He’s an adult monster.  His love interest is an adult with a child of her own.  Interestingly, a common theme in YA is the transition from childhood to adulthood.  This theme is present in Grotesque, but in a different way.  Again, it’s all about how the content is approached.  The statue that comes to life starts out with the mind of a child, but he is exposed to the horrors of the world, and that causes him to age rapidly.  He is overwhelmed by the complexity of life, the gray areas of morality, etc.  These are adult quandaries.  And so that is the direction I am taking.  I am going all in with this.  We’ll see how it turns out.

Can you believe I did a comic?  It’s been forever, right?  Enjoy!

Writer's-Block-Strip-45

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